Pima People - Analysis of Symbolism and Comparison in Pima Creation Story

Analysis of Symbolism and Comparison in Pima Creation Story

The number four is used many times in The Pima Stories of the Beginning of the World. It is the pattern number of the Pimas and corresponds to the importance of three and seven as pattern numbers in the Western culture. The number four can represent the four seasons and four directions. Light is also an important factor in the Pima creation story and the story of Genesis in the Bible. In both stories, light was a major priority and one of the first things to be created. Due to the fact that light is an essential symbol in these stories of creation, they easily can represent rebirth or establishment and cleansing of a new world about to be made. The Pima creation myth has many differentiating factors from the Bible story of creation, Genesis. Regarding importance of numbers, Genesis has the pattern of number seven and this is important because God created the world in seven days. Christianity, in general today, also has other signs of the number seven such as the seven sacraments and seven deadly sins. This shows that the creation stories of certain religions and cultures lead the people to follow and believe the stories of how their world came about because they use them as guidance. The role of women is also contrasting in The Bible versus the Pima Stories from the Beginning of the World. This is because in the Bible, Eve, is looked upon as being curious rather than afraid of what will happen to her unlike the young woman afraid of marriage in the Pima creation story.

Read more about this topic:  Pima People

Famous quotes containing the words analysis, symbolism, comparison, creation and/or story:

    Analysis as an instrument of enlightenment and civilization is good, in so far as it shatters absurd convictions, acts as a solvent upon natural prejudices, and undermines authority; good, in other words, in that it sets free, refines, humanizes, makes slaves ripe for freedom. But it is bad, very bad, in so far as it stands in the way of action, cannot shape the vital forces, maims life at its roots. Analysis can be a very unappetizing affair, as much so as death.
    Thomas Mann (1875–1955)

    ...I remembered the rose bush that had reached a thorny branch out through the ragged fence, and caught my dress, detaining me when I would have passed on. And again the symbolism of it all came over me. These memories and visions of the poor—they were the clutch of the thorns. Social workers have all felt it. It holds them to their work, because the thorns curve backward, and one cannot pull away.
    Albion Fellows Bacon (1865–1933)

    The difference between human vision and the image perceived by the faceted eye of an insect may be compared with the difference between a half-tone block made with the very finest screen and the corresponding picture as represented by the very coarse screening used in common newspaper pictorial reproduction. The same comparison holds good between the way Gogol saw things and the way average readers and average writers see things.
    Vladimir Nabokov (1899–1977)

    For me, the principal fact of life is the free mind. For good and evil, man is a free creative spirit. This produces the very queer world we live in, a world in continuous creation and therefore continuous change and insecurity. A perpetually new and lively world, but a dangerous one, full of tragedy and injustice. A world in everlasting conflict between the new idea and the old allegiances, new arts and new inventions against the old establishment.
    Joyce Cary (1888–1957)

    If we are on the outside, we assume a conspiracy is the perfect working of a scheme. Silent nameless men with unadorned hearts. A conspiracy is everything that ordinary life is not. It’s the inside game, cold, sure, undistracted, forever closed off to us. We are the flawed ones, the innocents, trying to make some rough sense of the daily jostle. Conspirators have a logic and a daring beyond our reach. All conspiracies are the same taut story of men who find coherence in some criminal act.
    Don Delillo (b. 1926)