Published Works
- Libri tres de institutione harmonica (Bologna, 1516 ; this edition on Vicifons)
- Thoscanello de la musica (Venice, 1523; four reprints as Toscanello in musica 1525-1562)
- Trattato della natura et cognitione di tutti gli tuoni di canto figurato (Venice, 1525; partially reproduced and retranslated into English in 1950 in Otto Strunk's Source Readings in Music History, N.Y.)
- Lucidario in musica di alcune opinione antiche e moderne (Venice, 1545)
- Compendiolo di molti dubbi, segreti, et sentenze intorno al canto fermo et figurato (Milan, n.d., probably posthumous, as the title page bears the inscription: "In memoria eterna erit Aron")
Read more about this topic: Pietro Aron
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“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)
“Literature that is not the breath of contemporary society, that dares not transmit the pains and fears of that society, that does not warn in time against threatening moral and social dangers—such literature does not deserve the name of literature; it is only a façade. Such literature loses the confidence of its own people, and its published works are used as wastepaper instead of being read.”
—Alexander Solzhenitsyn (b. 1918)
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—Henry David Thoreau (1817–1862)