Work
His work is seen as symbolist in nature, even though he studied with some of the romanticists, and he is credited with influencing an entire generation of painters and sculptors. One of his protégés was Georges de Feure.
Puvis de Chavannes is noted for painting murals, several of which may be seen at the Hôtel de Ville (City Hall) in Paris, the Sorbonne, and the Paris Panthéon, and at Poitiers, as well as at the Boston Public Library in the United States.
Puvis de Chavannes was president and co-founder in 1890 of the Société Nationale des Beaux-Arts (National Society of Fine Arts) founded in Paris. It became the dominant salon of art at the time and held exhibitions of contemporary art that was selected only by a jury composed of the officers of the Société.
Those who translated best the spirit of the work of Pierre-Cécile Puvis de Chavannes' in their own creations were, in Germany, the painter Ludwig von Hofmann and in France, Auguste Rodin.
His easel paintings also may be found in many American and European galleries. Some of these paintings are,
- Death and the Maiden
- The Dream
- The Poor Fisherman / 1881, Oil on canvas
- Vigilance
- The Meditation
- Mary Magdalene at Saint Baume
- Saint Genoveva
- Young Girls at the Seaside / 1887, Oil on canvas
- Mad Woman at the Edge of the Sea
- Hope
- Hope (nude)
- Kneeling nude woman, viewed from back
- The Sacred Grove
Read more about this topic: Pierre Puvis De Chavannes
Famous quotes containing the word work:
“Your children and grandchildren will have their share of happiness; there’s no need to work a like a horse for them.”
—Chinese proverb.
“Auld Nature swears, the lovely Dears
Her noblest work she classes, O:
Her prentice han’ she try’d on man,
An’ then she made the lasses, O.”
—Robert Burns (1759–1796)
“In a world where women work three times as hard for half as much, our achievement has been denigrated, both marriage and divorce have turned against us, our motherhood has been used as an obstacle to our success, our passion as a trap, our empathy for others as an excuse to underpay us.”
—Erica Jong (20th century)