Works
The following list is not exhaustive.
- Interrogation (1917), poems
- Etat civil (1921)
- "Mesure de la France" (1922), essay
- L'homme couvert de femmes (1925), novel
- "Le Jeune Européen" (1927), essay
- "Genève ou Moscou" (1928), essay
- Une femme à sa fenêtre (1929), novel
- "L'Europe contre les patries" (1931), essay
- Le Feu Follet (1931). This short novel narrates the last days of an alcoholic who commits suicide. It was inspired by the death of Drieu's friend, the surrealist poet Jacques Rigaut. Louis Malle adapted it for the screen in 1963 as "Le Feu Follet." Joachim Trier adapted it as "Oslo, August 31" in 2011. English Translation: Will O' the Wisp, Marion Boyars Publishers Ltd, London, 2000.
- Drôle de voyage (1933), novel
- La comédie de Charleroi (1934), is a collection of short stories in which Drieu attempts to deal with his war trauma.
- Socialisme Fasciste (1934), essay
- Beloukia (1936), novel
- Rêveuse bourgeoisie (1937). In this novel, Drieu tells the story of his parents' failed marriage.
- "Avec Doriot" (1937), political pamphlet
- Gilles (1939) is Drieu's major work. It is simultaneously an autobiographical novel and a bitter indictment of inter-war France.
- "Ne plus attendre" (1941), essay
- "Notes pour comprendre le siècle" (1941), essay
- "Chronique politique" (1943), essay
- L'homme à cheval (1943), novel
- Les chiens de paille (1944), novel
- "Le Français d'Europe" (1944), essay
- Histoires déplaisantes (1963, posthumous), short stories
- Mémoires de Dirk Raspe (1966, posthumous), novel
- Journal d'un homme trompé (1978, posthumous), short stories
- Journal de guerre (1992, posthumous), war diary
Read more about this topic: Pierre Drieu La Rochelle
Famous quotes containing the word works:
“The ancients of the ideal description, instead of trying to turn their impracticable chimeras, as does the modern dreamer, into social and political prodigies, deposited them in great works of art, which still live while states and constitutions have perished, bequeathing to posterity not shameful defects but triumphant successes.”
—Herman Melville (18191891)
“That mans best works should be such bungling imitations of Natures infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (18021880)
“Men seem anxious to accomplish an orderly retreat through the centuries, earnestly rebuilding the works behind them, as they are battered down by the encroachments of time; but while they loiter, they and their works both fall prey to the arch enemy.”
—Henry David Thoreau (18171862)