Works
Phineas Fletcher wrote throughout his life. At his death he left behind a body of literature larger than that of his Renaissance contemporaries: in fact, his work rivals in size the canons of Spenser and Milton. The collected works of Phineas Fletcher include three volumes of religious prose, an epic,an epyllion, a drama, several medium-length verse narratives, pastoral eclogues, verse epistles, epithalamia, hymns, psalms, translations, various songs, occasional pieces, lyrics, and devotional poems. In scope, variety, and quality, his writings are second to none of that age.
In 1627 he published Locustae, vel Pietas Jesuitica (The Locusts or Apollyonists), two parallel poems in Latin and English furiously attacking the Jesuits. Grosart saw in this work one of the sources of Milton's conception of Satan. Next year appeared an erotic poem, Brittain's Ida, with Edmund Spenser's name on the title page. It is certainly not by Spenser, and is printed by Grosart with the works of Phineas Fletcher. Sicelides was printed in 1631.
In 1632 appeared two theological prose treatises, The Way to Blessedness and Joy in Tribulation, and in 1633 his magnum opus, The Purple Island. The book was dedicated to his friend Edward Benlowes, and included his Piscatorie Eclogues and other Poetical Miscellanies. He died in 1650, and his will was proved by his widow on 13 December that year.
The Purple Island, or the Isle of Man, is a poem in twelve cantos describing in cumbrous allegory the physiological structure of the human body and the mind of man. The intellectual qualities are personified, while the veins are rivers, the bones the mountains of the island, the whole analogy being worked out with great ingenuity. The manner of Spenser is preserved throughout, but Fletcher never lost sight of his moral aim to lose himself in digressions like those of the Faerie Queene. What he gains in unity of design, however, he more than loses in human interest and action. The chief charm of the poem lies in its descriptions of rural scenery. The Piscatory Eclogues are pastorals, the characters of which are represented as fisher boys on the banks of the Cam, and are interesting for the light they cast on the biography of the poet himself (Thyrsil) and his father (Thelgon).
'the influence of Phineas Fletcher and his brother Giles is far greater than has generally been realized. Together they founded a distinct school of poetry which outlived the chilling influence of the Restoration.....In Milton's day, most of the Cantabrigians, Crashaw, Joseph Beaumont, Thomas Robinson, and others wrote more or less in their manner. In his boyhood Milton was enlisted in the School of the Fletchers and their influence is traceable even in his mature poems. Any study of Spenserian material in Milton, should include an elaborate examination of the work of the School of the Fletchers'. - H.E.Cory 1912
A complete edition of Phineas Fletcher's works (4 vols.) was privately printed by A. B. Grosart (Fuller Worthies Library, 1869).
The standard work available in print remains F.S. Boas The poetical Works of Giles and Phineas Fletcher (Cambridge University Press 1908).
Read more about this topic: Phineas Fletcher
Famous quotes containing the word works:
“His character as one of the fathers of the English language would alone make his works important, even those which have little poetical merit. He was as simple as Wordsworth in preferring his homely but vigorous Saxon tongue, when it was neglected by the court, and had not yet attained to the dignity of a literature, and rendered a similar service to his country to that which Dante rendered to Italy.”
—Henry David Thoreau (1817–1862)
“They that go down to the sea in ships, that do business in great waters, these see the works of the Lord and his wonders in the deep.”
—Bible: Hebrew Psalms, 107:23-4.
“We all agree now—by “we” I mean intelligent people under sixty—that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. Unluckily, the matter does not end there: a rose is the visible result of an infinitude of complicated goings on in the bosom of the earth and in the air above, and similarly a work of art is the product of strange activities in the human mind.”
—Clive Bell (1881–1962)