Other Work
Adams chaired the Commission for the Future, established by the Hawke Government to build bridges between science and the community. In 1988 the Commission won a major United Nations award for educating Australia on the issue of greenhouse and climate change.
He chaired the National Australia Day Council. Its principal task was to choose the Australian of the Year. He also chairs the Advisory Board for the Centre of the Mind at the University of Sydney and the Australia National University in Canberra, and has been a board member of Greenpeace, CARE Australia, the National Museum of Australia, The Australian Centre for Social Innovation, the Adelaide Festival of Ideas and Brisbane's Ideas Festival. He was co-founder of the Australian Skeptics.
Adams is the author or editor of more than 20 books, including The Unspeakable Adams, Adams Versus God, The Penguin Book of Australian Jokes, Retreat from Tolerance, Talkback and A Billion Voices, Adams Ark (published in 2004) and (with Lee Burton) "Emperors of the Air" (Allen & Unwin).
Robert Manne has described Adams as "the emblematic figurehead of the pro-Labor left intelligentsia". Adams had a close relationship with every Labor leader from Gough Whitlam to Kevin Rudd, advising on public relations, advertising and policy issues. However, on 19 July 2006 he was reported as saying of the Labor Party:
"They hate me," he says. "I think Kim Beazley is a serious error. I think the party's been going downhill federally ever since Keating left ... The Labor Party's hardly worth feeding federally." In 2010 Adams resigned from the ALP after the Prime Minister, Kevin Rudd, lost the prime ministership at the Australian Labor Party leadership election.
Adams' life and extracurricular activities have made him a source of interest to fans and foes of all persuasions for many years. Australia's security intelligence organisation kept an extensive ASIO File on Adams. The file began at about the time he turned 16 years of age.
Read more about this topic: Phillip Adams
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“Work, as we usually think of it, is energy expended for a further end in view; play is energy expended for its own sake, as with children’s play, or as manifestation of the end or goal of work, as in “playing” chess or the piano. Play in this sense, then, is the fulfillment of work, the exhibition of what the work has been done for.”
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