Works
In 1598 he published a work on which he had long been engaged, entitled De L'institution, usage et doctrine du saint sacrement de l'eucharistie en l'église ancienne, containing about 5000 citations from the scriptures, fathers and schoolmen. Jacques Davy Du Perron, bishop of Évreux, afterwards cardinal and archbishop of Sens, accused him of misquoting at least 500, and a public disputation was held at Fontainebleau on 4 May 1600. Decision was awarded to Du Perron on nine points presented, when the disputation was interrupted by the illness of Mornay. Mornay was also instrumental in the drafting of the Edict of Nantes (1598) which established political rights and some religious freedom for the Huguenots.
His principal works, in addition to those mentioned above, are Excellent discours de la vie et de la mort (London, 1577), a bridal present to Charlotte Arbaleste; Traité de l'Église où l'on traite des principales questions qui ont été mues sur ce point en nostre temps (London, 1578); Traité de la vérité de la religion chrétienne contre les athées, épicuriens, payens, juifs, mahométans et autres infidèles (Antwerp, 1581); Le mystère d'iniquité, c'est à dire, l'histoire de la papauté (Geneva, 1611). Two volumes of Mémoires, from 1572 to 1589, appeared at La Forêt (1624–1625), and a continuation in 2 vols. at Amsterdam (1652); a more complete but very inaccurate edition (Mémoires, correspondances, et vie) in 12 vols. was published at Paris in 1624-1625. He is also one -- many consider the most likely -- candidate for being author of the Vindiciae contra tyrannos (1579), a pamphlet advocating resistance to the French crown.
Read more about this topic: Philippe De Mornay
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“Was it an intellectual consequence of this ‘rebirth,’ of this new dignity and rigor, that, at about the same time, his sense of beauty was observed to undergo an almost excessive resurgence, that his style took on the noble purity, simplicity and symmetry that were to set upon all his subsequent works that so evident and evidently intentional stamp of the classical master.”
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