Early Life
Philip Conrad Vincent was born in Wilbraham Gardens, Fulham on 14 March 1908. His mother, Ada Vincent, travelled back from Argentina to have her children in order to secure British citizenship. The family owned a cattle ranch between Monte Buey and Monte Maize, in the province of Córdoba, Argentina. His education began at St. George's, a British Preparatory School in Quilmes, a suburb of Buenos Aires. He was sent back to England to live with his uncle, John Vincent, who was a veterinary surgeon and lived at High House, Horndon on the Hill, Essex. Phil's education was continued there together with his two sisters, Gwendoline & Marjorie, a cousin and four other local children. He spent a year at Downsend Preparatory School, Leatherhead. He was then accepted at Harrow School which was where he first became interested in motorcycles.
Phil bought his first motorcycle, a secondhand 350cc BSA from Gamages in Holborn at Christmas 1924. He went to Cambridge University in October 1926 to read Mechanical Sciences at Kings College. His real interest was in motorcycles and by the age of 18 he had a workshop and was designing and building his own machines. His father agreed that he could have a break from university to develop his first "Vincent Special". In 1928 he had registered a patent for his design of cantilever rear suspension and left Cambridge before graduating.
Read more about this topic: Phil Vincent
Famous quotes containing the words early life, early and/or life:
“... goodness is of a modest nature, easily discouraged, and when much elbowed in early life by unabashed vices, is apt to retire into extreme privacy, so that it is more easily believed in by those who construct a selfish old gentleman theoretically, than by those who form the narrower judgments based on his personal acquaintance.”
—George Eliot [Mary Ann (or Marian)
“On the Coast of Coromandel
Where the early pumpkins blow,
In the middle of the woods
Lived the Yonghy-Bonghy-Bo.
Two old chairs, and half a candle,—
One old jug without a handle,—
These were all his worldly goods:
In the middle of the woods,”
—Edward Lear (1812–1888)
“If music in general is an imitation of history, opera in particular is an imitation of human willfulness; it is rooted in the fact that we not only have feelings but insist upon having them at whatever cost to ourselves.... The quality common to all the great operatic roles, e.g., Don Giovanni, Norma, Lucia, Tristan, Isolde, Brünnhilde, is that each of them is a passionate and willful state of being. In real life they would all be bores, even Don Giovanni.”
—W.H. (Wystan Hugh)