Music
Lesh was an innovator in the new role that the electric bass developed during the mid-1960s. Contemporaries such as James Jamerson, Paul McCartney, and Jack Casady adopted a more melodic, contrapuntal approach to the instrument; before this, bass players in rock had generally played a conventional timekeeping role within the beat of the song, and within (or underpinning) the song's harmonic or chord structure. While not abandoning these aspects, Lesh took his own improvised excursions during a song or instrumental. This was a characteristic aspect of the so-called San Francisco Sound in the new rock music. In many Dead jams, Lesh's bass is, in essence, as much a lead instrument as Garcia's guitar.
Lesh was not a prolific composer or singer with the Grateful Dead, although some of the songs he did contribute—"New Potato Caboose", "Box of Rain", "Unbroken Chain", and "Pride of Cucamonga"—are among the best-known in the band's repertoire. Lesh's high tenor voice contributed to the Grateful Dead's four-part harmony sections in their group vocals in the early days of the band, until he relinquished singing high parts to Donna Godchaux. In the 1980s, he resumed singing, but as a baritone. His interest in avant-garde music was a crucial influence on the Dead.
In 1994, he was inducted into The Rock and Roll Hall of Fame as a member of the Grateful Dead.
Read more about this topic: Phil Lesh
Famous quotes containing the word music:
“Good-by, my book! Like mortal eyes, imagined ones must close some day. Onegin from his knees will rise—but his creator strolls away. And yet the ear cannot right now part with the music and allow the tale to fade; the chords of fate itself continue to vibrate; and no obstruction for the sage exists where I have put The End: the shadows of my world extend beyond the skyline of the page, blue as tomorrow’s morning haze—nor does this terminate the phrase.”
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“What is our life? a play of passion;
Our mirth the music of division;
Our mothers’ wombs the tiring-houses be
Where we are dressed for this short comedy.”
—Sir Walter Raleigh (1552?–1618)