Peter Sellers - Filmography and Other Works

Filmography and Other Works

Selected works, based on award nominations

Film Year Role Award Notes
Running Jumping & Standing Still Film !The Running Jumping & Standing Still Film 1959 Nominated – Academy Award for Short Subject (Live Action) Producer
I'm All Right Jack 1959 Fred Kite Won – British Academy Film Award for Best British Actor
Waltz of the Toreadors 1962 General Leo Fitzjohn Won – San Sebastián International Film Festival for Best Actor
Lolita 1962 Clare Quilty Nominated – Golden Globe Award for Best Supporting Actor
Only Two Can Play 1962 John Lewis Nominated – British Academy Film Award for Best British Actor
Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb 1964 Group Captain Lionel Mandrake
President Merkin Muffley
Dr. Strangelove
Nominated – Academy Award for Best Actor
Nominated – British Academy Film Award for Best British Actor
Pink Panther !The Pink Panther 1964 Inspector Jacques Clouseau Nominated – Golden Globe Award for Best Actor – Musical or Comedy
Nominated – British Academy Film Award for Best British Actor
Optimists of Nine Elms !The Optimists of Nine Elms 1973 Sam Won – Tehran Film Festival Award for Best Actor
Return of the Pink Panther !The Return of the Pink Panther 1976 Inspector Jacques Clouseau Won – The Evening News British Film Award for Best Actor
Nominated – Golden Globe Award for Best Actor – Musical or Comedy
Pink Panther Strikes Again !The Pink Panther Strikes Again 1977 Inspector Jacques Clouseau Nominated – Golden Globe Award for Best Actor – Musical or Comedy
Being There 1979 Chance Won – National Board of Review Award for Best Actor
Won – New York Film Critics Circle Award for Best Actor
Won – Golden Globe Award for Best Actor – Musical or Comedy
Won – London Film Critics Circle Award for Best Actor
Nominated – British Academy Film Award for Best Actor in a Leading Role
Nominated – Academy Award for Best Actor

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Famous quotes containing the word works:

    The slightest living thing answers a deeper need than all the works of man because it is transitory. It has an evanescence of life, or growth, or change: it passes, as we do, from one stage to the another, from darkness to darkness, into a distance where we, too, vanish out of sight. A work of art is static; and its value and its weakness lie in being so: but the tuft of grass and the clouds above it belong to our own travelling brotherhood.
    Freya Stark (b. 1893–1993)