Peter Gallagher - Career

Career

Gallagher's debut film performance was as one of the co-stars in the 1980 film, The Idolmaker.

Gallagher appeared on Broadway with Glenn Close in Tom Stoppard's The Real Thing, but first achieved fame for his role in Steven Soderbergh's Sex, Lies, and Videotape (1989). He also starred as Sky Masterson in the 1992 Broadway Revival of Guys and Dolls.

Gallagher played a potential career threat to Tim Robbins' studio executive in The Player (1992); the comatose fiancé of Sandra Bullock in While You Were Sleeping (1995); a real estate salesman having an affair with Annette Bening in American Beauty (1999); a media executive in Mr. Deeds (2002); and a political reporter exposing media ethics during a presidential debate in The Last Debate.

From 2003 to 2007, Gallagher starred as Sandy Cohen, a Jewish public defender and corporate lawyer, on the Fox television show The O.C.. He hosts an annual award ceremony named "The Sandy Cohen Awards" or The Sandys, which, in honor of his character on The O.C., gives a scholarship to a law school student at UC Berkeley who wants to become a public defender.

Gallagher released an album entitled 7 Days in Memphis in 2005, on the Sony BMG label. This includes a studio recording of his performance of "Don't Give Up On Me" (originally by Solomon Burke), which was featured in an episode of The O.C. He also has a video for his single "Still I Long For Your Kiss", in which he starred with his TV-wife Kelly Rowan.

In 2005, Gallagher received the P.T. Barnum Award from Tufts University for his exceptional work in the field of media and entertainment. In 2007, Gallagher received the "Light on the Hill" award at Tufts University. The award is given to notable alumni from Tufts who have demonstrated ambition, achievement, and active citizenship.

Read more about this topic:  Peter Gallagher

Famous quotes containing the word career:

    Each of the professions means a prejudice. The necessity for a career forces every one to take sides. We live in the age of the overworked, and the under-educated; the age in which people are so industrious that they become absolutely stupid.
    Oscar Wilde (1854–1900)

    The 19-year-old Diana ... decided to make her career that of wife. Today that can be a very, very iffy line of work.... And what sometimes happens to the women who pursue it is the best argument imaginable for teaching girls that they should always be able to take care of themselves.
    Anna Quindlen (b. 1952)

    The problem, thus, is not whether or not women are to combine marriage and motherhood with work or career but how they are to do so—concomitantly in a two-role continuous pattern or sequentially in a pattern involving job or career discontinuities.
    Jessie Bernard (20th century)