Mythology and Popular Culture
The pelican (Henet in Egyptian) was associated in Ancient Egypt with death and the afterlife. It was depicted in art on the walls of tombs, and figured in funerary texts, as a protective symbol against snakes. Henet was also referred to in the Pyramid Texts as the "mother of the king" and thus seen as a goddess. References in non-royal funerary papyri show that the pelican was believed to possess the ability to prophesy safe passage in the underworld for someone who had died.
An origin myth from the Murri people of Queensland, cited by Andrew Lang, describes how the Australian Pelican acquired its black and white plumage. The pelican, formerly a black bird, made a canoe during a flood in order to save drowning people. He fell in love with a woman he thus saved, but she and her friends tricked him and escaped. The pelican consequently prepared to go to war against them by daubing himself with white clay as war paint. However, before he had finished, another pelican, on seeing such a strange piebald creature, killed him with its beak, and all such pelicans have been black and white ever since.
The Moche people of ancient Peru worshipped nature. They placed emphasis on animals and often depicted pelicans in their art.
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Famous quotes containing the words popular culture, mythology, popular and/or culture:
“Like other secret lovers, many speak mockingly about popular culture to conceal their passion for it.”
—Mason Cooley (b. 1927)
“One memorable addition to the old mythology is due to this era,—the Christian fable. With what pains, and tears, and blood these centuries have woven this and added it to the mythology of mankind! The new Prometheus. With what miraculous consent, and patience, and persistency has this mythus been stamped on the memory of the race! It would seem as if it were in the progress of our mythology to dethrone Jehovah, and crown Christ in his stead.”
—Henry David Thoreau (1817–1862)
“Much of the ill-tempered railing against women that has characterized the popular writing of the last two years is a half-hearted attempt to find a way back to a more balanced relationship between our biological selves and the world we have built. So women are scolded both for being mothers and for not being mothers, for wanting to eat their cake and have it too, and for not wanting to eat their cake and have it too.”
—Margaret Mead (1901–1978)
“What culture lacks is the taste for anonymous, innumerable germination. Culture is smitten with counting and measuring; it feels out of place and uncomfortable with the innumerable; its efforts tend, on the contrary, to limit the numbers in all domains; it tries to count on its fingers.”
—Jean Dubuffet (1901–1985)