Peggy Guggenheim - Early Life: Inheritance, Involvement in The Art/writing Community

Early Life: Inheritance, Involvement in The Art/writing Community

Peggy's father was of Swiss-German Jewish origin, and her mother of German and Dutch-Jewish ancestry. When she turned 21 in 1919, Peggy Guggenheim inherited US$2.5 million, roughly US$20 million in today's currency. Guggenheim's father, Benjamin Guggenheim, died in the sinking of the RMS Titanic and he had not amassed the fortune of his siblings; therefore her inheritance was far less than the vast wealth of her cousins.

She first worked as a clerk in an avant-garde bookstore, the Sunwise Turn, where she became enamored with the members of the bohemian artistic community. In 1920 she went to live in Paris, France. Once there, she became friendly with avant-garde writers and artists, many of whom were living in poverty in the Montparnasse quarter of the city. Man Ray photographed her, and was, along with Constantin Brâncuşi and Marcel Duchamp, a friend whose art she was eventually to promote.

She became close friends with writer Natalie Barney and artist Romaine Brooks, and was a regular at Barney's stylish salon. She met Djuna Barnes during this time, and in time became her friend and patron. Barnes wrote her best-known novel, Nightwood, while staying at the Devonshire country manor, 'Hayford Hall', that Guggenheim had rented for two summers.

Read more about this topic:  Peggy Guggenheim

Famous quotes containing the words early, involvement, art, writing and/or community:

    The secret of heaven is kept from age to age. No imprudent, no sociable angel ever dropt an early syllable to answer the longings of saints, the fears of mortals. We should have listened on our knees to any favorite, who, by stricter obedience, had brought his thoughts into parallelism with the celestial currents, and could hint to human ears the scenery and circumstance of the newly parted soul.
    Ralph Waldo Emerson (1803–1882)

    I recommend limiting one’s involvement in other people’s lives to a pleasantly scant minimum. This may seem too stoical a position in these madly passionate times, but madly passionate people rarely make good on their madly passionate promises.
    Quentin Crisp (b. 1908)

    In art the end does not sanctify the means: but sacred means employed here can sanctify the end.
    Friedrich Nietzsche (1844–1900)

    Often I think writing is a sheer paring away of oneself leaving always something thinner, barer, more meager.
    F. Scott Fitzgerald (1896–1940)

    The community has no bribe that will tempt a wise man.
    Henry David Thoreau (1817–1862)