Early Life: Inheritance, Involvement in The Art/writing Community
Peggy's father was of Swiss-German Jewish origin, and her mother of German and Dutch-Jewish ancestry. When she turned 21 in 1919, Peggy Guggenheim inherited US$2.5 million, roughly US$20 million in today's currency. Guggenheim's father, Benjamin Guggenheim, died in the sinking of the RMS Titanic and he had not amassed the fortune of his siblings; therefore her inheritance was far less than the vast wealth of her cousins.
She first worked as a clerk in an avant-garde bookstore, the Sunwise Turn, where she became enamored with the members of the bohemian artistic community. In 1920 she went to live in Paris, France. Once there, she became friendly with avant-garde writers and artists, many of whom were living in poverty in the Montparnasse quarter of the city. Man Ray photographed her, and was, along with Constantin Brâncuşi and Marcel Duchamp, a friend whose art she was eventually to promote.
She became close friends with writer Natalie Barney and artist Romaine Brooks, and was a regular at Barney's stylish salon. She met Djuna Barnes during this time, and in time became her friend and patron. Barnes wrote her best-known novel, Nightwood, while staying at the Devonshire country manor, 'Hayford Hall', that Guggenheim had rented for two summers.
Read more about this topic: Peggy Guggenheim
Famous quotes containing the words early, involvement, art, writing and/or community:
“Here is this vast, savage, howling mother of ours, Nature, lying all around, with such beauty, and such affection for her children, as the leopard; and yet we are so early weaned from her breast to society, to that culture which is exclusively an interaction of man on man,a sort of breeding in and in, which produces at most a merely English nobility, a civilization destined to have a speedy limit.”
—Henry David Thoreau (18171862)
“It may be tempting to focus on the fact that, even among those who support equality, mens involvement as fathers remains a far distance from what most women want and most children need. Yet it is also important to acknowledge how far and how fast many men have moved towards a pattern that not long ago virtually all men considered anathema.”
—Katherine Gerson (20th century)
“Nature, hating art and pains,
Baulks and baffles plotting brains;
Casualty and Surprise
Are the apples of her eyes;
But she dearly loves the poor,
And, by marvel of her own,
Strikes the loud pretender down.”
—Ralph Waldo Emerson (18031882)
“What is line? It is life. A line must live at each point along its course in such a way that the artists presence makes itself felt above that of the model.... With the writer, line takes precedence over form and content. It runs through the words he assembles. It strikes a continuous note unperceived by ear or eye. It is, in a way, the souls style, and if the line ceases to have a life of its own, if it only describes an arabesque, the soul is missing and the writing dies.”
—Jean Cocteau (18891963)
“The most perfect political community must be amongst those who are in the middle rank, and those states are best instituted wherein these are a larger and more respectable part, if possible, than both the other; or, if that cannot be, at least than either of them separate, so that being thrown into the balance it may prevent either scale from preponderating.”
—Aristotle (384322 B.C.)