Characters
- Åse, a peasant’s widow
- Peer Gynt, her son
- Two old women with corn–sacks
- Aslak, a blacksmith
- Wedding guests
- A master cook
- A fiddler
- A man and a wife, newcomers to the district
- Solveig and little Helga, their daughters
- The farmer at Hægstad
- Ingrid, his daughter
- The bridegroom and his parents
- Three alpine dairymaids
- A green-clad woman, a troll princess
- The Old Man of the Mountains, a troll king (Also known as The Mountain King)
- Multiple troll-courtiers, troll-maidens and troll-urchins
- A couple of witches
- Brownies, nixies, gnomes, etc.
- An ugly brat
- The Bøyg, a voice in the darkness
- Kari, a cottar’s wife
- Master Cotton.
- Monsieur Ballon
- Herr von Eberkopf
- Herr Trumpeterstrale
- Gentlemen on their travels
- A thief
- A receiver
- Anitra, daughter of a Bedouin chief
- Arabs
- Female slaves
- Dancing girls
- The Memnon statue
- The Sphinx at Giza
- Dr. Begriffenfeldt, director of the madhouse at Cairo
- Huhu, a language–reformer from the coast of Malabar
- Hussein, an eastern Minister
- A fellow with a royal mother
- Several madmen and their keepers
- A Norwegian skipper
- His crew
- A strange passenger
- A pastor/The Devil (Peer Gynt think he is a pastor)
- A funeral party
- A parish-officer
- A button-molder
- A lean person
Read more about this topic: Peer Gynt
Famous quotes containing the word characters:
“To marry a man out of pity is folly; and, if you think you are going to influence the kind of fellow who has never had a chance, poor devil, you are profoundly mistaken. One can only influence the strong characters in life, not the weak; and it is the height of vanity to suppose that you can make an honest man of anyone.”
—Margot Asquith (18641945)
“My characters never die screaming in rage. They attempt to pull themselves back together and go on. And thats basically a conservative view of life.”
—Jane Smiley (b. 1949)
“A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.”
—Clifford Irving (b. 1930)