Pearl River Piano Group - Core Building Features

Core Building Features

Pearl River pianos feature hardwood rims, sand-cast plates, and lower tension scales, features found on the world's best pianos such as Steinway & Sons. These features are considered to be important to protecting the long-term durability of the piano's tone, which can be affected over a period of time by changes to the soundboard's "crown", a problem which is thought to occur more rapidly on pianos that do not have these core features.

Most Pearl River pianos are considered entry level pianos; however, some are manufactured to higher specifications with better materials. To improve product design and manufacturing efficiency, Pearl River automated and installed computer-generated design equipment. To improve quality, the group brought in a raft of foreign industry executives as consultants and forged a $10 million joint venture with Yamaha in 1995. "We can study good management concepts ," says Tong Zhi Cheng, CEO of Pearl River.

Pearl River also releases special edition pianos, including the Butterfly Grand which is 198 centimeters long and available in silver, blue, or pink finishes. Pearl River also produces Ritmüller, a higher end piano, for the Asian and European markets.

Read more about this topic:  Pearl River Piano Group

Famous quotes containing the words core, building and/or features:

    True, there are architects so called in this country, and I have heard of one at least possessed with the idea of making architectural ornaments have a core of truth, a necessity, and hence a beauty, as if it were a revelation to him. All very well perhaps from his point of view, but only a little better than the common dilettantism.
    Henry David Thoreau (1817–1862)

    Marxism is like a classical building that followed the Renaissance; beautiful in its way, but incapable of growth.
    Harold MacMillan (1894–1986)

    The features of our face are hardly more than gestures which force of habit made permanent. Nature, like the destruction of Pompeii, like the metamorphosis of a nymph into a tree, has arrested us in an accustomed movement.
    Marcel Proust (1871–1922)