Paul Quarrington - Music

Music

Quarrington collaborated with the band Rheostatics on the Whale Music film soundtrack, including a songwriting credit on the band's most successful hit single, "Claire".

Quarrington was also the lead singer/guitarist for the blues/roots/country ensemble Porkbelly Futures. Their first CD, Way Past Midnight was released in late 2005 by Wildflower Records (owned by singer Judy Collins) and spent six months on the "Americana" charts. Their second CD, Porkbelly Futures, was released by Cordova Bay Records in April 2008. It contains many of Quarrington's original compositions. His songwriting was also featured on the last CD put out by Porkbelly Futures, titled The Crooked Road which was recorded and released after his death, and features a photograph of Quarrington on the back cover. Quarrington's solo CD called The Songs was recorded just prior to his death and was released posthumously in June 2010, also by Cordova Bay Records.

He participated in the collaborative "Canadian Songbook" tour in 2008 with Murray McLauchlan, Stephen Fearing and Catherine MacLellan.

In their teens, Quarrington and Hill also occasionally performed together as a folk music duo, billed as Quarrington/Hill. Paul and Martin Worthy achieved number one hit status with their tune "Baby and the Blues" in 1980.

Read more about this topic:  Paul Quarrington

Famous quotes containing the word music:

    During the cattle drives, Texas cowboy music came into national significance. Its practical purpose is well known—it was used primarily to keep the herds quiet at night, for often a ballad sung loudly and continuously enough might prevent a stampede. However, the cowboy also sang because he liked to sing.... In this music of the range and trail is “the grayness of the prairies, the mournful minor note of a Texas norther, and a rhythm that fits the gait of the cowboy’s pony.”
    —Administration in the State of Texa, U.S. public relief program (1935-1943)

    The sound of tireless voices is the price we pay for the right to hear the music of our own opinions. But there is also, it seems to me, a moment at which democracy must prove its capacity to act. Every man has a right to be heard; but no man has the right to strangle democracy with a single set of vocal chords.
    Adlai Stevenson (1900–1965)

    Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid.
    Frank Zappa (1940–1993)