Gallery
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Pan-American Union (now Organization of American States), Washington, DC (1908-10), (with Albert Kelsey).
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National Memorial Arch, Valley Forge National Historical Park, Valley Forge, PA (1914-17).
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Indianapolis Central Library, Indianapolis, IN (1916-17), (with Zantzinger, Borie and Medary).
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Detroit Institute of Arts, Detroit, MI (1923-27), (with Zantzinger, Borie and Medary).
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Rodin Museum, Philadelphia, PA (1926-29), Jacques Gréber, landscape architect.
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Pennsylvania Memorial, Meuse-Argonne Battlefield, Varennes-en-Argonne, France (1927).
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Folger Shakespeare Library, Washington, DC (1929-32).
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Cincinnati Union Terminal, Cincinnati, OH (1929-33), (with Fellheimer & Wagner).
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Chateau-Thierry American Monument, Aisne, France (1930).
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Henry Avenue Bridge over Wissahickon Creek, Fairmount Park, Philadelphia, PA (1930-32).
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Federal Reserve Bank of Philadelphia, Philadelphia, Pennsylvania (1932).
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Central Heating Plant, Washington, DC (1933-34)
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Main Building, University of Texas, Austin, TX (1934-37).
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In 1935, Cret designed the Seal of the Board of Governors of the Federal Reserve System.
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Flanders Field American Cemetery and Memorial, Waregem, Belgium (1937), Jacques Gréber, landscape architect.
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Bethesda Naval Hospital Tower (aka Building 1), Bethesda, MD (1939-42). President Franklin D. Roosevelt picked the location and drew a rough plan and sketches for this building.
Read more about this topic: Paul Philippe Cret
Famous quotes containing the word gallery:
“Each morning the manager of this gallery substituted some new picture, distinguished by more brilliant or harmonious coloring, for the old upon the walls.”
—Henry David Thoreau (18171862)
“I should like to have seen a gallery of coronation beauties, at Westminster Abbey, confronted for a moment by this band of Island girls; their stiffness, formality, and affectation contrasted with the artless vivacity and unconcealed natural graces of these savage maidens. It would be the Venus de Medici placed beside a milliners doll.”
—Herman Melville (18191891)
“I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth.”
—Lewis H. Lapham (b. 1935)