Works
Jenkins described himself as an "abstract phenomenist." At the beginning of the 1960s, influenced by Goethe's color theories, he began to preface the titles of his works with the word "Phenomena," followed by a key word or phrase. Throughout the 60s, his work was shown worldwide, at major galleries and museums in Tokyo, London, New York, Paris, Amsterdam and elsewhere. In 1963, he took over de Kooning's light-infused loft at Union Square where he worked until the end of 2000. It is important to note that "Jenkins was not staining his canvas, because of the sizing and priming." Regarding his paintings, he once said, "I have conversations with them, and they tell me what they want to be called." Until his death in New York City in June 2012, Jenkins continued to work in acrylic on canvas, as well as watercolor on paper.
His work is found in international museums and collections including The Whitney Museum of American Art, the Guggenheim Museum, the Museum of Modern Art in New York, the Butler Institute of American Art in Youngstown, Ohio (near Struthers), the Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution, the National Gallery of Art, the Smithsonian American Art Museum and the Corcoran Gallery of Art, Washington, D.C., the Fogg Museum of Art of Harvard University, Cambridge, the San Francisco Museum of Modern Art, the Carnegie Museum of Art in Pittsburgh, Centre Georges Pompidou in Paris, the Fondation Maeght in Saint-Paul, France, the Stedelijk Museum in Amsterdam, and the Tate Gallery in London.
Read more about this topic: Paul Jenkins (painter)
Famous quotes containing the word works:
“That man’s best works should be such bungling imitations of Nature’s infinite perfection, matters not much; but that he should make himself an imitation, this is the fact which Nature moans over, and deprecates beseechingly. Be spontaneous, be truthful, be free, and thus be individuals! is the song she sings through warbling birds, and whispering pines, and roaring waves, and screeching winds.”
—Lydia M. Child (1802–1880)
“Most works of art, like most wines, ought to be consumed in the district of their fabrication.”
—Rebecca West (1892–1983)
“I meet him at every turn. He is more alive than ever he was. He has earned immortality. He is not confined to North Elba nor to Kansas. He is no longer working in secret. He works in public, and in the clearest light that shines on this land.”
—Henry David Thoreau (1817–1862)