In Literature and Popular Culture
Pathetic fallacy as an attribution of sentient, humanising traits to inanimate things is a centrally human way of understanding the world, and it does have a useful and important role in art and literature. Indeed, to reject the use of the pathetic fallacy would mean dismissing most Romantic poetry and many of Shakespeare's most memorable images. Literary critics find it useful to have a specific term for describing anthropomorphic tendencies in art and literature and so the phrase is currently used in a neutral sense. Josephine Miles in Pathetic Fallacy in the Nineteenth Century: A Study of a Changing Relation Between Object and Emotion, influenced by William Wordsworth’s discussion of the practice, argues that “pathetic bestowal” is a neutral and therefore preferable label. However labeled, the practice occurs in any number of accomplished twentieth-century writers, including William Carlos Williams, Theodore Roethke, Mary Oliver, Eavan Boland, and John Ashbery.
It is a rhetorical figure and a form of personification. In the strictest sense, delivering this fallacy should be done to render analogy. Other reasons to deliver this fallacy are mnemonic.
Read more about this topic: Pathetic Fallacy
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