Parody

A parody ( /ˈpærədi/; also called pastiche, spoof, send-up or lampoon), in current use, is an imitative work created to mock, comment on or trivialise an original work, its subject, author, style, or some other target, by means of satiric or ironic imitation. As the literary theorist Linda Hutcheon puts it, "parody … is imitation, not always at the expense of the parodied text." Another critic, Simon Dentith, defines parody as "any cultural practice which provides a relatively polemical allusive imitation of another cultural production or practice." Parody may be found in art or culture, including literature, music (although "parody" in music has an earlier, somewhat different meaning than for other art forms), animation, gaming and film.

The writer and critic John Gross observes in his Oxford Book of Parodies, that parody seems to flourish on territory somewhere between pastiche ("a composition in another artist's manner, without satirical intent") and burlesque (which "fools around with the material of high literature and adapts it to low ends").

In his 1960 anthology of parody from the 14th through 20th centuries, critic Dwight Macdonald offered the general definition "Parody is making a new wine that tastes like the old but has a slightly lethal effect."

Read more about Parody:  Origins, Music, English Term, Modernist and Post-modernist Parody, Reputation, Film Parodies, Self-parody, Copyright Issues, Social and Political Uses

Famous quotes containing the word parody:

    Why does almost everything seem to me like its own parody? Why must I think that almost all, no, all the methods and conventions of art today are good for parody only?
    Thomas Mann (1875–1955)

    Satire is a lesson, parody is a game.
    Vladimir Nabokov (1899–1977)

    Pushkin’s composition is first of all and above all a phenomenon of style, and it is from this flowered rim that I have surveyed its seep of Arcadian country, the serpentine gleam of its imported brooks, the miniature blizzards imprisoned in round crystal, and the many-hued levels of literary parody blending in the melting distance.
    Vladimir Nabokov (1899–1977)