Recurring Cast in Park Chan-wook's Films
| Actor | Joint Security Area | Sympathy for Mr. Vengeance | Oldboy | Cut | Sympathy for Lady Vengeance | I'm a Cyborg, But That's OK | Thirst |
|---|---|---|---|---|---|---|---|
| Song Kang-ho | Y | Y | Y | Y | |||
| Shin Ha-kyun | Y | Y | Y | Y | |||
| Choi Min-sik | Y | Y | |||||
| Yoo Ji-tae | Y | Y | |||||
| Lee Young-ae | Y | Y | |||||
| Lee Byung Hun | Y | Y | |||||
| Kang Hye-jung | Y | Y | Y | ||||
| Kim Byeong-ok | Y | Y | |||||
| Oh Dal-su | Y | Y | Y | Y | Y |
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“Let us think this thought in its most terrible form: existence as it is, without meaning or aim, and yet recurring inevitably, without a finale in nothingness—”eternal recurrence.””
—Friedrich Nietzsche (1844–1900)
“People who treat other people as less than human must not be surprised when the bread they have cast on the waters comes floating back to them, poisoned.”
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“Linnæus, setting out for Lapland, surveys his “comb” and “spare shirt,” “leathern breeches” and “gauze cap to keep off gnats,” with as much complacency as Bonaparte a park of artillery for the Russian campaign. The quiet bravery of the man is admirable.”
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“The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn’t.”
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