Architecture
The dome of the church is supported by pillars located at the sides of the church, so that there are no supports to block the space inside. The unique design of the dome allows natural lighting and ventilation. At the middle of the dome is a circular skylight, which supports the triangular bell tower. The bell tower, then extends to the interior, supporting the crucifix. The arrangement of the interior of the church is concentric, with the altar in the middle.
Initially, Leandro Locsin designed the church for the Ossorio family, who were planning to build a chapel in Negros. Unfortunately, the plans for the chapel were scrapped when Frederic Ossorio, the head of the family, left for the United States. However, in 1955, Father Delaney commissioned Locsin to design a chapel that was open and could easily accommodate 1,000 people. The Church of Holy Sacrifice became the first circular chapel with the altar in its center in the country, and the first to have a thin shell concrete dome.
Being a pioneering structure, it almost suffered a setback during the construction of the dome when the weather suddenly changed as the concrete was being poured. If it had rained, the concrete would have not settled, and the whole project would have been in jeopardy.
The first mass in the church was celebrated on December 20, 1955. The floor of the church was designed by Arturo Luz, the Stations of the Cross by Vicente Manansala and Ang Kiukok, and the double-sided crucifix and altar base by Napoleon Abueva, all of whom are now National Artists. Since then, there have been modifications to the church and its surroundings; the altar base was changed from wood to marble, still by Napoleon Abueva and it is now fenced off, and the once open grounds that surrounded the church are now landscaped.
On January 12, 2005, the church was recognized as a National Historical Landmark and a Cultural Treasure by the National Historical Institute and the National Museum, respectively. During the recognition ceremony, National Historical Institute Chairman Ambeth R. Ocampo lauded the church as a "masterpiece of Filipino artistry and ingenuity". Currently, the parish is spearheading a project that aims to restore the dome of the historic church.
Read more about this topic: Parish Of The Holy Sacrifice
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“Art is a jealous mistress, and, if a man have a genius for painting, poetry, music, architecture or philosophy, he makes a bad husband and an ill provider.”
—Ralph Waldo Emerson (1803–1882)
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