Parish Close - Features

Features

Parish closes are defined by a continuous containing wall, completely surrounding the churchyard, of which the greater area is the parish cemetery. There are often stiles but the only easy entrance is through a ceremonial arch, often elaborately detailed with pinnacles and carving. Within the gateway, an open, paved assembly area surrounds the calvary or crucifix.

The calvaries of the close churches are significant works of popular art. Usually they display three crucified figures: Christ and the two thieves. At the base, they may feature relief panels, free-standing sculptural groups or both. These onlookers of the crucifixion nearly always include the Virgin Mary and St John the Apostle, but also many other heroes and villains - sometimes including local or national magnates.

The ossuary or charnel house, where present, may be substantial, and several were intended to contain large sculptures or paintings, frequently of the Deposition or Entombment of Christ. Generally the ossuaries have been emptied of their bones.

Some of the church buildings exemplify late Gothic architecture, while others are Baroque in style, and a number feature large belfries. The interiors are dominated by sumptuous Baroque decoration and statuary, much of it polychrome. Both the main altar and each of the many side and chapel altars are backed by a large retable, generally focusing on the Passion of Christ or the life and death of a saint. Typically a large, sometimes free-standing, central figure is surrounded by tableaux and reliefs in rich detail, which expound and expand the central theme. So, for example, a Passion, may be illustrated by scenes of martyrdom or sacrifice. The baptisteries are often octagonal, surmounted by large canopies on pillars, often highly-embellished, with vines, birds, snakes and narrative reliefs. The pulpit is usually a dominant feature within the nave, reflecting a revival of preaching during the 17th century, and often decorated with relevant scenes or symbols, like the Four Evangelists.

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    These, then, will be some of the features of democracy ... it will be, in all likelihood, an agreeable, lawless, particolored commonwealth, dealing with all alike on a footing of equality, whether they be really equal or not.
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    Each reader discovers for himself that, with respect to the simpler features of nature, succeeding poets have done little else than copy his similes.
    Henry David Thoreau (1817–1862)