Paris Colonial Exposition - Posterity

Posterity

Certain of these buildings were preserved or moved:

  • Palais de la Porte Dorée, Former-musée national des Arts d'Afrique et d'Océanie, current Cité nationale de l'histoire de l'immigration, porte Dorée in Paris, constructed from 1928 to 1931 by the architects Albert Laprade, Léon Bazin and Léon Jaussely.
  • The foundations of the Parc zoologique de Vincennes
  • The Pagode de Vincennes, on the edges of the lake Daumesnil, in the former houses of Cameroon and Togo of Louis-Hippolyte Boileau: Photo
  • The church Notre-Dame des Missions was moved to Épinay-sur-Seine (95) in 1932.
  • The reproduction of Mount Vernon, house of George Washington, moved to Vaucresson

where it is still visible.

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Famous quotes containing the word posterity:

    Every true man is a cause, a country, and an age; requires infinite spaces and numbers and time fully to accomplish his design;—and posterity seem to follow his steps as a train of clients.
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    All in all, the creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act. This becomes even more obvious when posterity gives its final verdict and sometimes rehabilitates forgotten artists.
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    When posterity judges our actions here it will perhaps see us not as unwilling prisoners but as men who for whatever reason preferred to remain non-contributing individuals on the edge of society.
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