Parade (musical) - History of The Musical

History of The Musical

Prince turned to Brown to write the score after Stephen Sondheim turned the project down. Prince's daughter, Daisy, had brought Brown to her father's attention. Uhry, who grew up in Atlanta, had personal knowledge of the Frank story, as his great-uncle owned the pencil factory run by Leo Frank.

In dramatizing the story, Prince and Uhry have emphasized the evolving relationship between Leo and his wife Lucille. Their relationship shifts from cold to warm in songs like "Leo at Work/What am I Waiting For?," "You Don't Know This Man," "Do it Alone," and "All the Wasted Time". The poignancy of the couple, who fall in love in the midst of adversity, is the core of the work. It makes the tragic outcome - the miscarriage of justice - even more disturbing.

The show was Brown's first Broadway production. His music has "subtle and appealing melodies that draw on a variety of influences, from pop-rock to folk to rhythm and blues and gospel."

The plot of the musical dramatizes the historical story and does not shy away from the conclusion of some that the likely killer was the factory janitor Jim Conley, the key witness against Frank at the trial. The true villains of the piece are portrayed as the prosecutor Hugh Dorsey (later the governor of Georgia and then a judge) and the rabid publisher Tom Watson (later elected a U.S. senator).

Read more about this topic:  Parade (musical)

Famous quotes containing the words history of the, history of, history and/or musical:

    Perhaps universal history is the history of the diverse intonation of some metaphors.
    Jorge Luis Borges (1899–1986)

    Anyone who is practically acquainted with scientific work is aware that those who refuse to go beyond fact rarely get as far as fact; and anyone who has studied the history of science knows that almost every great step therein has been made by the “anticipation of Nature.”
    Thomas Henry Huxley (1825–95)

    The steps toward the emancipation of women are first intellectual, then industrial, lastly legal and political. Great strides in the first two of these stages already have been made of millions of women who do not yet perceive that it is surely carrying them towards the last.
    Ellen Battelle Dietrick, U.S. suffragist. As quoted in History of Woman Suffrage, vol. 4, ch. 13, by Susan B. Anthony and Ida Husted Harper (1902)

    There was something refreshingly and wildly musical to my ears in the very name of the white man’s canoe, reminding me of Charlevoix and Canadian Voyageurs. The batteau is a sort of mongrel between the canoe and the boat, a fur-trader’s boat.
    Henry David Thoreau (1817–1862)