Painted Ladies - San Francisco's Painted Ladies

San Francisco's Painted Ladies

About 48,000 houses in the Victorian and Edwardian styles were built in San Francisco between 1849 and 1915 (with the change from Victorian to Edwardian occurring on the death of Queen Victoria in 1901), and many were painted in bright colors. As one newspaper critic noted in 1885, "...red, yellow, chocolate, orange, everything that is loud is in fashion...if the upper stories are not of red or blue... they are painted up into uncouth panels of yellow and brown..." While many of the mansions of Nob Hill were destroyed by the 1906 San Francisco Earthquake, thousands of the mass-produced, more modest houses survived in the western and southern neighborhoods of the city.

During World War I and World War II, many of these houses were painted battleship gray with war-surplus Navy paint. Another sixteen thousand were demolished, and many others had the Victorian decor stripped off or covered with tarpaper, brick, stucco, or aluminum siding.

In 1963, San Francisco artist Butch Kardum began combining intense blues and greens on the exterior of his Italianate-style Victorian House. His house was criticized by some, but other neighbors began to copy the bright colors on their own houses. Kardum became a color designer, and he and other artists / colorists such as Tony Cataletich, Bob Buckner, and Jazon Wonders began to transform dozens of gray houses into Painted Ladies. By the 1970s, the colorist movement, as it was called, had changed entire streets and neighborhoods. This process continues to this day.

One of the best-known groups of "Painted Ladies" is the row of Victorian houses at 710–720 Steiner Street, across from Alamo Square park, in San Francisco. It is sometimes known as "Postcard Row." The houses were built between 1892 and 1896 by developer Matthew Kavanaugh, who lived next door in the 1892 mansion at 722 Steiner Street. This block appears very frequently in media and mass-market photographs of the city and its tourist attractions and have appeared in an estimated 70 movies, TV programs, and ads, including in the opening credits of the television series Full House.

In 2010, 722 Steiner St. was put up for sale, at the asking price of $3,999,999. It is located on the corner of Steiner and Grove. It was the first time in thirty five years that 722 Steiner St. had been for sale. It has been called the oldest, largest, and most detailed of the seven sisters. In December 1993, 710 Steiner St. sold for $575,000. 712 Steiner St. sold for $920,000 on Nov. 4, 1998 and again for 1,250,000 on Nov. 15,2001. 718 Steiner St. sold for $55,000 in 1974. 720 Steiner St. was sold on Aug.16, 1996 for $650,000 and again on Aug. 24, 2001 for 1,210,000. 722 Steiner St. sold for $65,000 in Feb. 1976.

Read more about this topic:  Painted Ladies

Famous quotes containing the words san francisco, san, francisco, painted and/or ladies:

    “Mining today is an affair of mathematics, of finance, of the latest in engineering skill. Cautious men behind polished desks in San Francisco figure out in advance the amount of metal to a cubic yard, the number of yards washed a day, the cost of each operation. They have no need of grubstakes.”
    —Merle Colby, U.S. public relief program (1935-1943)

    “There they are at last, Miss Rutledge. The will-o-the-wisps with plagues of fortune. San Francisco, the latest newborn of a great republic.”
    —Ben Hecht (1893–1964)

    “Swan/Mary Rutledge: Oh no, no. I’m not running away. I came here to get something, and I’m going to get it.
    Col. Cobb: Yes, but San Francisco is no place for a woman.
    Swan: Why not? I’m not afraid. I like the fog. I like this new world. I like the noise of something happening.... I’m tired of dreaming, Colonel Cobb. I’m staying. I’m staying and holding out my hands for gold—bright, yellow gold.”
    —Ben Hecht (1893–1964)

    “Watteau is no less an artist for having painted a fascia board while Sainsbury’s is no less effective a business for producing advertisements which entertain and educate instead of condescending and exploiting.”
    —Stephen Bayley (b. 1951)

    “At no time in history ... have the people who are not fit for society had such a glorious opportunity to pretend that society is not fit for them. Knowledge of the slums is at present a passport to society—so much the parlor philanthropists have achieved—and all they have to do is to prove that they know their subject. It is an odd qualification to have pitched on; but gentlemen and ladies are always credulous, especially if you tell them that they are not doing their duty.”
    —Katharine Fullerton Gerould (1879–1944)