Culture
Pailin's culture is distinctly different from most of Khmer culture. According to some data, Pailin's culture is predominantly Burmese, and has much in common with that of the country of Burma. This affinity is shown in the region's cuisine, dress, temple architecture, festivals and arts. The culture can be seen as similar to the culture in Chiang Mai, Thailand. The people of Pailin are predominantly Kola. The Kola people originally migrated from Burma beginning in 1876. There is some dispute as to from what region of Burma the Kola originated, as there is no group in modern day Mayanmar known as the "Kola". Another wave of migrants, the Shan arrived from Burma in the 1920s. Both groups are known for their work in the precious gem business, which likely is what attracted them to Pailin.
There are several dialects spoken locally including Khmer, Shan and Kola. The local Khmer dialect shows influence in tone and pronunciation from the Burmese languages as well as Kham Muang and Mon language.
In Pailin, there are a few different kinds of foods. Kola's food is distinct from Burma's Cuisine as well. The most popular Burmese style one is Mee Kola (មីកុឡា) which is a vegetarian noodle dish made from thin rice stick noodles, steamed and cooked with soy sauce and garlic chive, sometimes mixed with some meats and small lobster. Other dishes include Tom yum from Thailand and Mon banana pudding of Burma. These have all spread to other parts of Thailand and Cambodia, but normally in versions which are flavored more sweetly than the Pailin version, especially in Phnom Penh.
The Traditional clothes of Pailin is Longyi, also known as Sarong. The cloth is often sewn into a cylindrical shape. It is worn around the waist, running to the feet. It is held in place by folding fabric over, without a knot. It is also sometimes folded up to the knee for comfort. These traditional "longyi" have about 2 meters of in length of swan. The cloth is made of cotton and sometimes from silk. Kola men wear ankle-length patterns of checks, plaids or stripes "Longyi" in any kinds of color. The Men always wear their white eingyi shirt which has a mandarin collar and sometimes also wear a traditional jacket called taik-pon over their eingy. It has white, grey, black or terracotta colors. They put the gaung baung turban on their head and on their feet wear simple rubber or velvet slippers.
For Kola women's calf-length longyi are in solid colors, flower prints and many kinds of designs. They soften have a red based color, with partial stripes or very small checks similar to what Mon wear. They also often have horizontal or vertical stripes at the middle part. Royalty traditionally wore a long dress called "thin-dai" decorated by many threads. It was always worn by a lord's daughter and the king of the province's lady. The Women wears a beautiful blouse and a lovely shirt which is known as eingyi. The shirt is decorated with several colors and many piece of silver. The shirt also has horizontal or vertical stripes at the middle part in some beauty color. Kola women tie a traditional shawl on their eingyi as well as they put the shawl on their shoulders. Women tie a lovely band on their head and wear beautiful flowers in their hair, allowing their hair to drop as a ponytail above their shoulders. They sometimes took a traditional umbrella made from baboom with them. The footwear is simple slippers of leather or velvet called Hnyat-phanat.
All of these costumes were shiny with bright colors during celebrations. The clothing is very similar to what is worn by the Shan in Burma.
The houses in Pailin are built from wood, about 8 cm to 1 meter includes a wide door and in the middle of house, there are the hermitages of Buddha and anothers spirit house. The Kola People are fond of planting roses in front of their homes.
Read more about this topic: Pailin Province
Famous quotes containing the word culture:
“Our culture still holds mothers almost exclusively responsible when things go wrong with the kids. Sensing this ultimate accountability, women are understandably reluctant to give up control or veto power. If the finger of blame was eventually going to point in your direction, wouldnt you be?”
—Ron Taffel (20th century)
“If youre anxious for to shine in the high esthetic line as a man
of culture rare,
You must get up all the germs of the transcendental terms, and plant
them everywhere.
You must lie upon the daisies and discourse in novel phrases of your
complicated state of mind,
The meaning doesnt matter if its only idle chatter of a
transcendental kind.”
—Sir William Schwenck Gilbert (18361911)
“The genius of American culture and its integrity comes from fidelity to the light. Plain as day, we say. Happy as the day is long. Early to bed, early to rise. American virtues are daylight virtues: honesty, integrity, plain speech. We say yes when we mean yes and no when we mean no, and all else comes from the evil one. America presumes innocence and even the right to happiness.”
—Richard Rodriguez (b. 1944)