Oxford University Museum of Natural History - The Building

The Building

The neo-Gothic building was designed by the Irish architects Thomas Newenham Deane and Benjamin Woodward. The museum's design was directly influenced by the writings of critic John Ruskin, who involved himself by making various suggestions to Woodward during construction. It was built in 1861. The adjoining building that houses the Pitt Rivers Museum was the work of Thomas Manly Deane, son of Thomas Newenham Deane. It was built between 1885 and 1886.

The museum consists of a large square court with a glass roof, supported by cast iron pillars, which divide the court into three aisles. Cloistered arcades run around the ground and first floor of the building, with stone columns each made from a different British stone, selected by geologist John Phillips (the Keeper of the Museum). The ornamentation of the stonework and iron pillars incorporates natural forms such as leaves and branches, combining the Pre-Raphaelite style with the scientific role of the building.

Statues of eminent men of science stand around the ground floor of the court — from Aristotle and Bacon through to Darwin and Linnaeus. Although the University paid for the construction of the building, the ornamentation was funded by public subscription — and much of it remains incomplete. The Irish stone carvers O'Shea and Whelan had been employed to create lively freehand carvings in the Gothic manner. When funding dried up they offered to work unpaid, but were accused by members of the University Congregation of "defacing" the building by adding unauthorised work. According to Acland, they responded by caricaturing the Congregation as parrots and owls in the carving over the building's entrance. Acland insists that he forced them to remove the heads.

Read more about this topic:  Oxford University Museum Of Natural History

Famous quotes containing the word building:

    We have our little theory on all human and divine things. Poetry, the workings of genius itself, which, in all times, with one or another meaning, has been called Inspiration, and held to be mysterious and inscrutable, is no longer without its scientific exposition. The building of the lofty rhyme is like any other masonry or bricklaying: we have theories of its rise, height, decline and fall—which latter, it would seem, is now near, among all people.
    Thomas Carlyle (1795–1881)

    A publisher is a specialised form of bank or building society, catering for customers who cannot cope with life and are therefore forced to write about it.
    Colin Haycraft (b. 1929)