Development
Little King's Story began development under the title "Project O." The game was executively produced by Yasuhiro Wada, who is the creator of the Harvest Moon series. Wada contracted a developer in Fukuoka to create a new title for the Wii and asked Yoshirou Kimura to sign on as a producer. As there was no other staff at that time, Kimura contacted Norikazu Yasunaga to aid in the game's design, Youichi Kawaguchi to direct and Hideo Minaba and Kazuyuki Kurashima to design the characters and monsters respectively.
Kimura had previously worked on cult titles such as Moon: Remix RPG Adventure and Chulip, and came up with the concept of Little King's Story. Kimura states that his inspiration for the game came from The Little Prince, a storybook he read as child. His goal the first year in development was to create a real-time strategy game with easy controls, specifically one that used the Wii Remote.
Little King's Story, as "Project O," was first shown at the Tokyo Game Show in 2007. The official website held a "UMA" (Unidentified Mysterious Animal) contest, where people around the world were able to send a sketch of a monster they created themselves. The contest has ended. The first prize winner will have their "UMA" star as an in-game character, and 99 other winners will have the artwork displayed in the game. Six of the creatures that won were "Bruno", "Flummex", "Octoknight", "Pirabbit", "Ninjūn", and "Kabelle".
Read more about this topic: Ousama Monogatari
Famous quotes containing the word development:
“Men are only as good as their technical development allows them to be.”
—George Orwell (1903–1950)
“Somehow we have been taught to believe that the experiences of girls and women are not important in the study and understanding of human behavior. If we know men, then we know all of humankind. These prevalent cultural attitudes totally deny the uniqueness of the female experience, limiting the development of girls and women and depriving a needy world of the gifts, talents, and resources our daughters have to offer.”
—Jeanne Elium (20th century)
“A defective voice will always preclude an artist from achieving the complete development of his art, however intelligent he may be.... The voice is an instrument which the artist must learn to use with suppleness and sureness, as if it were a limb.”
—Sarah Bernhardt (1845–1923)