Oswald Spengler - Spengler's Works

Spengler's Works

  • Der metaphysische Grundgedanke der Heraklitischen Philosophie, 1904
  • Der Untergang des Abendlandes: Umrisse einer Morphologie der Weltgeschichte, 1918-22 (2 vols.: Gestalt und Wirklichkeit; Welthistorische Perspektives) - The Decline of the West; an Abridged Edition by Helmut Werner (tr. by F. Atkinson)
  • Preussentum und Sozialismus, 1920 - Prussianism and Socialism
  • Pessimismus?, 1922
  • Die Revolution ist nicht zu Ende, c. 1924
  • Neubau des deutschen Reiches, 1924
  • Politische Pflichten der deutschen Jugend; rede gehalten am 26. februar 1924 vor dem Hochschulring deutscher art in Würzburg, 1925
  • Der Mensch und die Technik, 1931 - Man and Technics: A Contribution to a Philosophy of Life (tr. by C.T. Atkinson)
  • Politische Schriften, 1932
  • Die Revolution ist nicht zu Ende, 1932
  • Jahre der Entscheidung, 1933 - The Hour of Decision (tr. by C.F. Atkinson) at the Internet Archive
  • Reden und Aufsätze, 1937 (ed. by Hildegard Kornhardt) - Selected Essays (tr. Donald O. White)
  • Gedanken, c. 1941 (ed. by Hildegard Konrnhardt) - Aphorisms (translated by Gisela Koch-Weser O’Brien)
  • Briefe, 1913-1936, 1963 - The Letters of Oswald Spengler, 1913-1936 (ed. and tr. by A. Helps)
  • Urfragen; Fragmente aus dem Nachlass, 1965 (ed. by Anton Mirko Koktanek and Manfred Schröter)
  • Frühzeit der Weltgeschichte: Fragmente aus dem Nachlass, 1966 (ed. by A.M. Kortanek and Manfred Schröter)
  • Der Briefwechsel zwischen Oswald Spengler und Wolfgang E. Groeger: über russische Literatur, Zeitgeschichte und soziale Fragen, 1987 (ed. by Xenia Werner)

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Famous quotes containing the words spengler and/or works:

    “It is the Late city that first defies the land, contradicts Nature in the lines of its silhouette, denies all Nature. It wants to be something different from and higher than Nature. These high-pitched gables, these Baroque cupolas, spires, and pinnacles, neither are, nor desire to be, related with anything in Nature. And then begins the gigantic megalopolis, the city-as-world, which suffers nothing beside itself and sets about annihilating the country picture.”
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    “Are you there, Africa with the bulging chest and oblong thigh? Sulking Africa, wrought of iron, in the fire, Africa of the millions of royal slaves, deported Africa, drifting continent, are you there? Slowly you vanish, you withdraw into the past, into the tales of castaways, colonial museums, the works of scholars.”
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