Roles
| Role | Character and Voice type | Premiere cast, 1727 (Conductor: – ) |
|---|---|---|
| Orlando | a knight jealous of Medoro (contralto) | Lucia Lancetti |
| Angelica | beloved of Medoro (soprano) | Benedetta Serosina |
| Alcina | Enchantress (contralto) | Anna Girò |
| Bradamante | female warrior, beloved of Ruggiero (contralto) | Maria Catterina Negri |
| Medoro | Prince betrothed to Angelica (contralto castrato) | Casimiro Pignotti |
| Ruggiero | a knight following Orlando (contralto castrato) | Giovanni Andrea Tassi |
| Astolfo | bass | Gaetano Pinetti |
Read more about this topic: Orlando Furioso (Vivaldi)
Famous quotes containing the word roles:
“Modern women are squeezed between the devil and the deep blue sea, and there are no lifeboats out there in the form of public policies designed to help these women combine their roles as mothers and as workers.”
—Sylvia Ann Hewitt (20th century)
“It was always the work that was the gyroscope in my life. I don’t know who could have lived with me. As an architect you’re absolutely devoured. A woman’s cast in a lot of roles and a man isn’t. I couldn’t be an architect and be a wife and mother.”
—Eleanore Kendall Pettersen (b. 1916)
“Productive collaborations between family and school, therefore, will demand that parents and teachers recognize the critical importance of each other’s participation in the life of the child. This mutuality of knowledge, understanding, and empathy comes not only with a recognition of the child as the central purpose for the collaboration but also with a recognition of the need to maintain roles and relationships with children that are comprehensive, dynamic, and differentiated.”
—Sara Lawrence Lightfoot (20th century)