Orient Global Freedom To Create Prize
Freedom to Create was established by businessman Richard F. Chandler in 2006 to foster prosperity in the developing world by investing in the creative foundations of society. The Freedom to Create Prize was introduced in 2008 to support and recognise artists who strive for social change in places where there is no Freedom to Create. The Freedom to Create Forum was introduced in 2010 as a platform for women across the globe to identify initiatives that can unleash the untapped creative potential of millions of women who have been denied an opportunity to participate and contribute towards their own prosperity.
Freedom to Create abides by the philosophy that the arts have an innovative and unique ability to improve lives and transform communities. According to their website, they have made over 240 grants in over 80 countries, touching over 12 million lives.
Read more about Orient Global Freedom To Create Prize: Founder, Freedom To Create Prize, Freedom To Create Prize Exhibition, Freedom To Create Forum, Sources
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“Of all that Orient lands can vaunt,
Of marvels with our own competing,
The strangest is the Haschish plant,
And what will follow on its eating.”
—John Greenleaf Whittier (1807–1892)
“As the global expansion of Indian and Chinese restaurants suggests, xenophobia is directed against foreign people, not foreign cultural imports.”
—Eric J. Hobsbawm (b. 1917)
“Mine eye and heart are at a mortal war,
How to divide the conquest of thy sight;
Mine eye my heart thy picture’s sight would bar,
My heart mine eye the freedom of that right.”
—William Shakespeare (1564–1616)
“Unless we maintain correctional institutions of such character that they create respect for law and government instead of breeding resentment and a desire for revenge, we are meeting lawlessness with stupidity and making a travesty of justice.”
—Mary B. Harris (1874–1957)
“It is impossible to think of Howard Hughes without seeing the apparently bottomless gulf between what we say we want and what we do want, between what we officially admire and secretly desire, between, in the largest sense, the people we marry and the people we love. In a nation which increasingly appears to prize social virtues, Howard Hughes remains not merely antisocial but grandly, brilliantly, surpassingly, asocial. He is the last private man, the dream we no longer admit.”
—Joan Didion (b. 1934)