Orient Global Freedom To Create Prize

Orient Global Freedom To Create Prize

Freedom to Create was established by businessman Richard F. Chandler in 2006 to foster prosperity in the developing world by investing in the creative foundations of society. The Freedom to Create Prize was introduced in 2008 to support and recognise artists who strive for social change in places where there is no Freedom to Create. The Freedom to Create Forum was introduced in 2010 as a platform for women across the globe to identify initiatives that can unleash the untapped creative potential of millions of women who have been denied an opportunity to participate and contribute towards their own prosperity.

Freedom to Create abides by the philosophy that the arts have an innovative and unique ability to improve lives and transform communities. According to their website, they have made over 240 grants in over 80 countries, touching over 12 million lives.

Read more about Orient Global Freedom To Create Prize:  Founder, Freedom To Create Prize, Freedom To Create Prize Exhibition, Freedom To Create Forum, Sources

Famous quotes containing the words orient, global, freedom, create and/or prize:

    Ask me no more where Jove bestows,
    When June is past, the fading rose;
    For in your beauty’s orient deep
    These flowers, as in their causes, sleep.

    Ask me no more whither do stray
    The golden atoms of the day;
    For in pure love heaven did prepare
    Those powders to enrich your hair.
    Thomas Carew (1589–1639)

    The Sage of Toronto ... spent several decades marveling at the numerous freedoms created by a “global village” instantly and effortlessly accessible to all. Villages, unlike towns, have always been ruled by conformism, isolation, petty surveillance, boredom and repetitive malicious gossip about the same families. Which is a precise enough description of the global spectacle’s present vulgarity.
    Guy Debord (b. 1931)

    All too soon these feet must hide
    In the prison cells of pride,
    Lose the freedom of the sod,
    Like a colt’s for work be shod,
    John Greenleaf Whittier (1807–1892)

    Nature is a self-made machine, more perfectly automated than any automated machine. To create something in the image of nature is to create a machine, and it was by learning the inner working of nature that man became a builder of machines.
    Eric Hoffer (1902–1983)

    I prize the purity of his character as highly as I do that of hers. As a moral being, whatever it is morally wrong for her to do, it is morally wrong for him to do. The fallacious doctrine of male and female virtues has well nigh ruined all that is morally great and lovely in his character: he has been quite as deep a sufferer by it as woman, though mostly in different respects and by other processes.
    Angelina Grimké (1805–1879)