Style
Pamuk's books are characterized by a confusion or loss of identity brought on in part by the conflict between Western and Eastern values. They are often disturbing or unsettling, but include complex plots and characters. His works are also redolent with discussion of and fascination with the creative arts, such as literature and painting. Pamuk's work often touches on the deep-rooted tensions between East and West and tradition and modernism/secularism.
Pamuk speaks about "the angel of inspiration" when he discusses his creativity:
"I am just listening to an inner music, the mystery of which I don't completely know. And I don't want to know."
"I am most surprised by those moments when I have felt as if the sentences, dreams, and pages that have made me so ecstatically happy have not come from my own imagination – that another power has found them and generously presented them to me."
A group of writers assert that some parts of Orhan Pamuk's works are heavily influenced by works of other writers, and that some chapters are almost totally quoted from other books. One of the writers, nationalist popular-historian Murat Bardakçı, accused him of counterfeiting and plagiarism in the Hurriyet, a national Turkish newspaper. Another accusation is that Orhan Pamuk's novel The White Castle contains exact paragraphs from Fuad Carim's Kanuni Devrinde İstanbul ("Istanbul in the Time of the Kanuni") novel. After a question raised at the 2009 Boston Book Festival as to whether he wanted to respond to these accusations, Pamuk responded, "No I do not. Next question?". However, many attributed such accusations to their ignorance about postmodern literature, and the literary technique of intertextuality which Pamuk almost always uses in his novels in full disclosure.
Read more about this topic: Orhan Pamuk
Famous quotes containing the word style:
“New is a word for fools in towns who think
Style upon style in dress and thought at last
Must get somewhere.”
—Robert Frost (1874–1963)
“Compare the history of the novel to that of rock ‘n’ roll. Both started out a minority taste, became a mass taste, and then splintered into several subgenres. Both have been the typical cultural expressions of classes and epochs. Both started out aggressively fighting for their share of attention, novels attacking the drama, the tract, and the poem, rock attacking jazz and pop and rolling over classical music.”
—W. T. Lhamon, U.S. educator, critic. “Material Differences,” Deliberate Speed: The Origins of a Cultural Style in the American 1950s, Smithsonian (1990)
“If the British prose style is Churchillian, America is the tobacco auctioneer, the barker; Runyon, Lardner, W.W., the traveling salesman who can sell the world the Brooklyn Bridge every day, can put anything over on you and convince you that tomatoes grow at the South Pole.”
—Ishmael Reed (b. 1938)