Works
Orhan Kemal's stories and novels generally depict the lives of ordinary working people trying to hold on to their dignity in conditions of poverty or deprivation. His first poem was published in Yedigün under the name of Raşit Kemal (Duvarlar 25.04.1939) Further poems written under the same pen name are Yedigün and Yeni Mecmua 1940. On meeting Nazım Hikmet, Kemal wrote under the name of “Orhan Raşit” (Yeni Edebiyat 1941) Impressed by Nazım Hikmet, Kemal concentrated on stories as opposed to poems. His first story, “Bir Yılbaşı Macerası”, being published in 1941.
In 1942 he adopted the name Orhan Kemal when writing stories and poems in Yürüyüş. He found fame through stories in Varlık in 1944, his first collection of short stories “Ekmek Kavgası”, and first novel “Baba Evi”, was published in 1949. Early works depicted characters form the immigrant quarters of Adana Kemal described the social structure, worker employer relationships and the daily struggles of petty people from industrialised Turkey. He aimed to present an optimistic view through the heroes of his stories. He never changed his simple exposition and thus became one of the most skilful names of Turkish stories and novels. He also wrote film scripts and plays including “İspinozlar” and “Kardeş Payı”. Dramatisations have been made of his novels and stories including “Murtaza”, “Eskici Dükkanı”. His play about life in prison in the 1940s “72.Koğuş” (Cell 72) has been made as a feature film twice, most recently in 2011, starring well-known actors Hülya Avşar and Yavuz Bingöl. He also wrote a story named "Hanimin Ciftligi" (English, Lady's farm) which took a major success in Turkish history of soap operas.
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Famous quotes containing the word works:
“I cannot spare water or wine, Tobacco-leaf, or poppy, or rose;
From the earth-poles to the line, All between that works or grows,
Every thing is kin of mine.”
—Ralph Waldo Emerson (18031882)
“We thus worked our way up this river, gradually adjusting our thoughts to novelties, beholding from its placid bosom a new nature and new works of men, and, as it were with increasing confidence, finding nature still habitable, genial, and propitious to us; not following any beaten path, but the windings of the river, as ever the nearest way for us. Fortunately, we had no business in this country.”
—Henry David Thoreau (18171862)
“My plan of instruction is extremely simple and limited. They learn, on week-days, such coarse works as may fit them for servants. I allow of no writing for the poor. My object is not to make fanatics, but to train up the lower classes in habits of industry and piety.”
—Hannah More (17451833)