Works
Private Jokes, Public Places was a critical off-Broadway hit and was singled out as one of the top 6 new plays of the decade 2000/10 by the Wall Street Journal., The play is regularly performed by students at architecture schools to mark the beginning of the year.
The Last Word..., debuted Off-Broadway in 2007 in New York City, starring Daniel J. Travanti in the title role. Ed Asner did the first reading at The Malibu Stage Co.
West Bank, UK - a musical comedy about a Palestinian and Israeli forced to share a rundown rent-controlled apartment - debuted at La MaMa in 2007/08, and was a co-production with the Malibu Stage Co.
The Bilbao Effect - the second in a series on contemporary architecture - played at the Center for Architecture in New York in May/June 2010.
Private Jokes, Public Places, The Last Word... and "The Bilbao Effect" are published by Dramatists Play Service. Private Jokes, Public Places is also published by Playwrights Canada Press along with excerpts that appear in several books about design, and is also translated into Romanian and Japanese.
La Compagnie was later turned into Fashion Avenue, a pilot for Castle Rock and CBS.
Safdie wrote the 1998 film You Can Thank Me Later, based on his play Hyper-Allergenic. It stars Ellen Burstyn, Amanda Plummer, Ted Levine, Mark Blum, Mary McDonnell and Geneviève Bujold. It won the Grand Jury Prize at the Newport Film Festival. It was subsequently premiered on Showtime in the United States.
Safdie also co-wrote the 2007 Israeli film Bittersweet, directed by Doron Benvenisti, which played at the Jerusalem and Montreal World Film Festivals.
He is a contributor to Metropolis Magazine, and has also written for Dwell, The Forward, The New Republic, The Jerusalem Post, Israel National News, The Times of Israel, and Canadian Jewish News.
Read more about this topic: Oren Safdie
Famous quotes containing the word works:
“Words are always getting conventionalized to some secondary meaning. It is one of the works of poetry to take the truants in custody and bring them back to their right senses.”
—William Butler Yeats (1865–1939)
“We thus worked our way up this river, gradually adjusting our thoughts to novelties, beholding from its placid bosom a new nature and new works of men, and, as it were with increasing confidence, finding nature still habitable, genial, and propitious to us; not following any beaten path, but the windings of the river, as ever the nearest way for us. Fortunately, we had no business in this country.”
—Henry David Thoreau (1817–1862)
“Separatism of any kind promotes marginalization of those unwilling to grapple with the whole body of knowledge and creative works available to others. This is true of black students who do not want to read works by white writers, of female students of any race who do not want to read books by men, and of white students who only want to read works by white writers.”
—bell hooks (b. 1955)