Significance
The Wagner scholar Curt von Westernhagen identified three important problems discussed in the essay which were particularly relevant to Wagner's own operatic development: the problem of unifying verse stress with melody; the problems caused by formal arias in dramatic structure, and the way in which opera music could be organised on a different basis of organic growth and modulation; and the function of musical motifs in linking elements of the plot whose connections might otherwise be inexplicit (what was to become known as the leitmotif technique, although Wagner himself did not use this word).
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