One Night the Moon is a 2001 Australian musical non-feature film starring husband and wife team Paul Kelly, a singer-songwriter, and Kaarin Fairfax, a film and television actress, and their daughter Memphis Kelly. Directed by Rachel Perkins and written by Perkins with John Romeril, it was filmed on Andyamathanha land in the Flinders Ranges, South Australia for six weeks in early 2000. Kelton Pell portrayed an Aboriginal tracker, Albert Yang with Ruby Hunter playing his wife, who searches for the missing child. Musical score was by Kelly, Kev Carmody and Mairead Hannan, and with other artists they also contributed to the soundtrack. The film won ten awards, including two Australian Film Institute (AFI) Awards.
One Night the Moon was inspired by the story of indigenous tracker, Alexander Riley as depicted in Black Tracker (1997), a documentary directed by Riley's grandson, Michael Riley. Alexander Riley had worked for the New South Wales police in Dubbo in the early 1900s, finding wanted criminals, missing persons and hidden caches. Composer/singer Mairead Hannan saw the documentary and formed a project with her sister Deirdre Hannan, Kelly, Carmody, Alice Garner, Romeril and Perkins. Aside from the search for a missing child, the film deals with the racist attitude depicted by the father's refusal to use an indigenous tracker. The film was Paul Kelly's cinematic debut, while his then wife, Fairfax had a lead role in two related TV mini-series Harp in the South and Poor Man's Orange in 1987, and roles in films Belinda (1988) and Young Einstein (1989). Fairfax had her film debut with a minor role in 1982's Starstruck which had Paul Kelly and the Dots supplying a song for the soundtrack.
Read more about One Night The Moon: Plot, Cast, Background, Awards, One Night The Moon: Original Soundtrack, Box Office
Famous quotes containing the words night and/or moon:
“Never were days yet called two
But one night went betwixt.”
—Thomas Campion (1567–1620)
“It was the most wild and desolate region we had camped in, where, if anywhere, one might expect to meet with befitting inhabitants, but I heard only the squeak of a nighthawk flitting over. The moon in her first quarter, in the fore part of the night, setting over the bare rocky hills garnished with tall, charred, and hollow stumps or shells of trees, served to reveal the desolation.”
—Henry David Thoreau (1817–1862)