Early Conceptual Art
Kosuth's concern with the difference between a concept and its mode of presentation was prefigured in the "event cards" of Fluxus-artists like George Brecht, Dick Higgins and Yoko Ono. These artists also tackled the problem of presenting "concepts" to an art audience. One and Three Chairs is, perhaps, a step towards a resolution of this problem. Rather than present the viewer with the bare written instructions for the work, or make a live event of the realization of the concept (in the manner of the Fluxus artists), Kosuth instead unifies concept and realization. One and Three Chairs demonstrates how an artwork can embody an idea that remains constant despite changes to its elements.
Kosuth stresses the difference between concept and presentation in his writings (e.g., "Art after Philosophy", 1969 ) and interviews (see the quotation below). He tries to intimately bind the conceptual nature of his work with the nature of art itself, thus raising his instructions for the presentation of an artwork to the level of a discourse on art. In 1963 Henry Flynt articulated these problems in the article "Concept Art". This was a forerunner to Kosuth's thematization of "Concept Art" in "Art after Philosophy", the text that made One and Three Chairs famous.
Read more about this topic: One And Three Chairs
Famous quotes containing the words early, conceptual and/or art:
“For with this desire of physical beauty mingled itself early the fear of death—the fear of death intensified by the desire of beauty.”
—Walter Pater 1839–1894, British writer, educator. originally published in Macmillan’s Magazine (Aug. 1878)
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[I too am in Arcadia.]”
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Tomb inscription, appearing in classical paintings by Guercino and Poussin, among others. The words probably mean that even the most ideal earthly lives are mortal. Arcadia, a mountainous region in the central Peloponnese, Greece, was the rustic abode of Pan, depicted in literature and art as a land of innocence and ease, and was the title of Sir Philip Sidney’s pastoral romance (1590)