On The Pulse of Morning - Critical Response and Impact

Critical Response and Impact

According to Lupton, "On the Pulse of Morning" is Angelou's most famous poem. Lupton has argued that "Angelou's ultimate greatness will be attributed" to the poem, and that Angelou's "theatrical" performance of it, using skills she learned as an actor and speaker, marked a return to the African-American oral tradition of speakers such as Frederick Douglass, Martin Luther King, Jr. and Malcolm X. British reporter Kate Kelloway compared Angelou's appearance as she read the poem at Clinton's inauguration with the eight-year old child in Caged Bird, noting that the coats she wore in both occasions were similar: "She looked magnificent, sternly theatrical with an unsmiling bow mouth. She wore a coat with brass buttons, a strange reminder of the eight-year old Maya Angelou who stood in a courtroom, terrified at the sight of the man who had raped her." Gillespie stated regarding Kelloway's observations: "But standing tall on the steps of the Capital, she was light-years removed from that terrible time, and America was no longer an 'unfriendly place.' Her poem 'On the Pulse of Morning' was a soaring call for peace, justice, and harmony. Capturing the hope embodied in the human spirit, it was a solemn and joyful reminder that all things are possible. She wished us 'Good morning' in her poem, and one felt as if a new day was truly dawning."

Angelou recognized that although "On the Pulse of Morning" was a better "public poem" than a great poem, her goal of conveying the message of unity was accomplished. Poet David Lehman agreed, stating that although it fulfilled its theatrical and political objectives, the poem was "not very memorable". Poet Sterling D. Plumpp found Angelou's performance "brilliant", but was "not as enthusiastic about it as a text". Burr stated that the negative reviews of Angelou's poem, like the majority of the reviews about her other poetry, was due to their elitism and narrow views of poetry, which were limited to written forms rather than spoken ones like "On the Pulse of Morning", which was written to recite out loud and perform. Burr compared the response of literary critics to Angelou's poem with critics of Frost's poem: "Frost's powerful reading served to supplement the poem in the sense of enhancing it, while Angelou's powerful reading of her poem supplemented it in the sense of making evident its inadequacy and lack".

Angelou's recitation of "On the Pulse of Morning" resulted in more fame and recognition for her previous works, and broadened her appeal "across racial, economic, and educational boundaries". The week after Angelou's recitation, sales of the paperback version of her books and poetry rose by 300–600 percent. Bantam Books had to reprint 400,000 copies of all her books to keep up with the demand. Random House, which published Angelou's hardcover books and published the poem later that year, reported that they sold more of her books in January 1993 than they did in all of 1992, accounting for a 1200 percent increase. The sixteen-page publication of the poem became a best-seller, and the recording of the poem was awarded a Grammy Award.

Read more about this topic:  On The Pulse Of Morning

Famous quotes containing the words critical, response and/or impact:

    His misfortune was that he loved youth—he was weak to it, it kindled him. If there was one eager eye, one doubting, critical mind, one lively curiosity in a whole lecture-room full of commonplace boys and girls, he was its servant. That ardour could command him. It hadn’t worn out with years, this responsiveness, any more than the magnetic currents wear out; it had nothing to do with Time.
    Willa Cather (1873–1947)

    I’ll never forget my father’s response when I told him I wanted to be a lawyer. He said, “If you do this, no man will ever want you.”
    Cassandra Dunn (b. c. 1931)

    One can describe a landscape in many different words and sentences, but one would not normally cut up a picture of a landscape and rearrange it in different patterns in order to describe it in different ways. Because a photograph is not composed of discrete units strung out in a linear row of meaningful pieces, we do not understand it by looking at one element after another in a set sequence. The photograph is understood in one act of seeing; it is perceived in a gestalt.
    Joshua Meyrowitz, U.S. educator, media critic. “The Blurring of Public and Private Behaviors,” No Sense of Place: The Impact of Electronic Media on Social Behavior, Oxford University Press (1985)