Beginnings
In forming the company, critic Roger Fry aimed to remove what he considered to be the false divisions between the decorative and fine arts, and to give his artist friends an additional income opportunity in designing furniture, textiles and other household accessories. Fry was keen to encourage a Post-Impressionist influence in designs produced for Omega. However, Cubist and Fauvist influences are also apparent, particularly in many of the textile designs.
To ensure items were bought only for the quality of the work, and not the reputation of the artist, Fry insisted works be shown anonymously, marked only with the letter omega. The products were in general expensive, and aimed at an exclusive market.
Read more about this topic: Omega Workshops
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