Omaha, Nebraska - Culture

Culture

Main article: Culture in Omaha Main article: Culture in North Omaha, Nebraska

The city's historical and cultural attractions have been lauded by numerous national newspapers, including the Boston Globe and The New York Times. Omaha is home to the Omaha Community Playhouse, the largest community theater in the United States. The Omaha Symphony Orchestra and its modern Holland Performing Arts Center, the Opera Omaha at the Orpheum theater, the Blue Barn Theatre, and The Rose Theater form the backbone of Omaha's performing arts community. Opened in 1931, the Joslyn Art Museum has significant art collections. Since its inception in 1976, Omaha Children's Museum has been a place where children can challenge themselves, discover how the world works and learn through play. The Bemis Center for Contemporary Arts, one of the nation's premier urban artist colonies, was founded in Omaha in 1981, and the Durham Museum is accredited with the Smithsonian Institution for traveling exhibits. The city is also home to the largest singly funded mural in the nation, "Fertile Ground", by Meg Saligman. The annual Omaha Blues, Jazz, & Gospel Festival celebrates local music along with the Omaha Black Music Hall of Fame.

In 1955 Omaha's Union Stockyards overtook Chicago's stockyards as the United States' meat packing center. This legacy is reflected in the cuisine of Omaha, with renowned steakhouses such as Gorat's and the recently closed Mister C's, as well as the retail chain Omaha Steaks.

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Famous quotes containing the word culture:

    “It is not part of a true culture to tame tigers, any more than it is to make sheep ferocious.”
    —Henry David Thoreau (1817–1862)

    “To assault the total culture totally is to be free to use all the fruits of mankind’s wisdom and experience without the rotten structure in which these glories are encased and encrusted.”
    —Judith Malina (b. 1926)

    “The hatred of the youth culture for adult society is not a disinterested judgment but a terror-ridden refusal to be hooked into the, if you will, ecological chain of breathing, growing, and dying. It is the demand, in other words, to remain children.”
    —Midge Decter (b. 1927)