Life
Born into a noble family of Polish stock, son of Life-Guards Semenovsky regiment's Stabskapitän, Oleg Yankovsky formed an ambition to emulate his brother Rostislav and joined the Saratov Drama Theatre in 1965. His film career was launched two years later, when he was cast in two movies about World War II, namely The Shield and the Sword (Shchit i mech) (1968) by director Vladimir Basov and Two Comrades Were Serving (Sluzhili dva tovarishcha) (1968) by Yevgeni Karelov.
During his remarkably prolific screen career, Yankovsky appeared in many film adaptations of Russian classics, notably My Sweet and Tender Beast (1977) and The Kreutzer Sonata (1987). A leading actor of Mark Zakharov's Lenkom Theatre since 1975, he starred in the TV versions of the theatre's productions, An Ordinary Miracle (1978) and The Very Same Munchhausen (1979) being the most notable. For his role in Roman Balayan's Flights in Dreams and Reality (1984) Yankovsky was awarded the USSR State Prize. He has been better known abroad for his parts in Tarkovsky's movies The Mirror (as the father) and Nostalghia (in the main role).
In the early 1990s Oleg Yankovsky also played quite different roles in Georgi Daneliya’s tragic comedy The Passport (1990) and in Karen Shakhnazarov’s historical and psychological drama The Assassin of the Tsar (Tsareubiytsa) (1991).
Starting in 1993, Yankovsky ran the Kinotavr Film Festival in Sochi. He continued to receive awards for his work with several Nika Awards from the Russian Film Academy for his directorial debut Come Look At Me (2001) and Valery Todorovsky's Lyubovnik (2002). He appeared as Count Pahlen in Poor, Poor Pavel (2004) and as Komarovsky in a TV adaptation of Doctor Zhivago (2006), directed by Oleg Menshikov.
The last film Yankovsky appeared in was Tsar, which was released in 2009 and demonstrated at the Cannes Film Festival on the 17th of May 2009, just three days before his death. Yankovsky played the sophisticated role of Metropolitan Philipp in his last film.
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Famous quotes containing the word life:
“With only one life to live we cant afford to live it only for itself. Somehow we must each for himself, find the way in which we can make our individual lives fit into the pattern of all the lives which surround it. We must establish our own relationships to the whole. And each must do it in his own way, using his own talents, relying on his own integrity and strength, climbing his own road to his own summit.”
—Hortense Odlum (1892?)
“Reminiscences, even extensive ones, do not always amount to an autobiography.... For autobiography has to do with time, with sequence and what makes up the continuous flow of life. Here, I am talking of a space, of moments and discontinuities. For even if months and years appear here, it is in the form they have in the moment of recollection. This strange formit may be called fleeting or eternalis in neither case the stuff that life is made of.”
—Walter Benjamin (18921940)
“Consider his life which was valueless
In terms of employment, hotel ledgers, news files.
Consider. One bullet in ten thousand kills a man.
Ask. Was so much expenditure justified
On the death of one so young and so silly
Lying under the olive tree, O world, O death?”
—Stephen Spender (19091995)