Album Cover and Design
It is often said that the original album cover was supposed to be a reproduction of the Mileševa monastery fresco "White Angel". Džuboks magazine even published an article about the upcoming Idoli album with the reproduction as the album cover, but Vlada Divljan has recently squashed such rumours stating that this was never supposed to be the cover, adding that he never liked that idea, even as a rumour. He also explained that it would've been a bit much had they ever thought of choosing it for the cover since the album itself contains lyrics that can be considered rather blasphemous.
It was further rumoured that Jugoton did not agree with the cover, considering it provocative in communist Yugoslavia where religion was very much suppressed. As the alternate solution, photographer and designer Goranka Matić, who did the cover, went to the National Museum in Belgrade and took the photo which was used as the album cover. It was chosen to be a cloth detail from a Saint Nicholas icon. Many people also found the shape of the pattern to be similar to the Swastika and thought it was used as a topic on the album, but Divljan stated that any resemblance of the Swastika was unintentional and that people were reading too much into it.
The back cover was a detail from a golden background of the icon. The inner sleeve featured a classical civil photo of the band on the left side and a similar photo of the guests and people involved with the recording on the right side.
The font used on the record was a Cyrillic font similar to the one used in the Miroslav's Gospel. The re-release of the album did not feature Cyrillic letters except for the front cover. Also the names were misspelled and thus the album was called Obrana i posljednji dani, Joca Višković became Joca Đisković, Dragutin Vulinović was changed to Dragutin Đulinović.
Read more about this topic: Odbrana I Poslednji Dani
Famous quotes containing the words album, cover and/or design:
“What a long strange trip it’s been.”
—Robert Hunter, U.S. rock lyricist. “Truckin’,” on the Grateful Dead album American Beauty (1971)
“There is reason in the distinction of civil and uncivil. The manners are sometimes so rough a rind that we doubt whether they cover any core or sap-wood at all.”
—Henry David Thoreau (1817–1862)
“Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you.”
—Henry David Thoreau (1817–1862)