Recording
After completing their Boy Tour in February 1981, U2 began to write new material. ("Fire" had already been recorded at Compass Point Studios in the Bahamas while U2 took a break from the Boy Tour.) They wrote part of October during an extended sound check at First Avenue in Minneapolis. The band entered the studio in July 1981 to record October, but the album's recording sessions were complicated when the briefcase containing Bono's lyrics was stolen by fans after a show in Portland, Oregon. The band already booked studio time through the end of August and thus had to continue recording in spite of this, even improvising lyrics on some songs. Bono said of the recording process of October, "I remember the pressure it was made under, I remember writing lyrics on the microphone, and at £50 an hour, that's quite a pressure. Lillywhite was pacing up and down the studio... he coped really well. And the ironic thing about October is that there's a sort of peace about the album, even though it was recorded under that pressure. A lot of people found October hard to accept at first, I mean, I used the word 'rejoice' precisely because I knew people have a mental block against it. It's a powerful word, it's lovely to say. It's implying more than 'get up and dance, baby.' I think October goes into areas that most rock 'n' roll bands ignore. When I listen to the album, something like 'Tomorrow,' it actually moves me." The briefcase was eventually recovered in October 2004, and Bono greeted its return as "an act of grace".
Read more about this topic: October (album)
Famous quotes containing the word recording:
“Self-expression is not enough; experiment is not enough; the recording of special moments or cases is not enough. All of the arts have broken faith or lost connection with their origin and function. They have ceased to be concerned with the legitimate and permanent material of art.”
—Jane Heap (c. 1880–1964)
“He shall not die, by G—, cried my uncle Toby.
MThe ACCUSING SPIRIT which flew up to heaven’s chancery with the oath, blush’d as he gave it in;—and the RECORDING ANGEL as he wrote it down, dropp’d a tear upon the word, and blotted it out for ever.”
—Laurence Sterne (1713–1768)
“I didn’t have to think up so much as a comma or a semicolon; it was all given, straight from the celestial recording room. Weary, I would beg for a break, an intermission, time enough, let’s say, to go to the toilet or take a breath of fresh air on the balcony. Nothing doing!”
—Henry Miller (1891–1980)