Representation in Art and Writing
Most of the evidence that supports the many theories about obsidian use in Mesoamerica comes from the artwork of the region. This artwork is seen in many forms including the aforementioned obsidian figurines, ear spools, beads, and vases. Stele and large carvings, sculpture, and murals on architecture also depict obsidian. Typically, the material’s visual depiction in artwork is generally associated with autosacrifice and other types of sacrifice, including images of prismatic blades with bloody hearts on the blade’s ends. Unfortunately, the majority of the material record is out of context yet the implications and interpretations that are drawn from artwork are substantial and reflect a corpus of beliefs and ideology involving obsidian.
Some of the more significant portrayals of obsidian use involve blood-letting and warfare. One example includes the macuahuitl, a broad–faced club studded along its edges by obsidian prismatic blades. These weapons are predominantly used in ritual warfare and generally date to the Postclassic period. Earlier depictions of obsidian is usually restricted to their appearance as razors or lancets, and it is commonly believed that the material was not associated with weapons such as clubs or spears until later phases in Mesoamerica.
In the Aztec writing system, a curved prismatic blade represents the phonetic value itz (Taube 1991) and results in the term iztli, as mentioned.
Read more about this topic: Obsidian Use In Mesoamerica
Famous quotes containing the words representation in, art and/or writing:
“People accept a representation in which the elements of wish and fantasy are purposely included but which nevertheless proclaims to represent “the past” and to serve as a guide-rule for life, thereby hopelessly confusing the spheres of knowledge and will.”
—Johan Huizinga (1872–1945)
“The finest works of art are precious, among other reasons, because they make it possible for us to know, if only imperfectly and for a little while, what it actually feels like to think subtly and feel nobly.”
—Aldous Huxley (1894–1963)
“It seems to me that our three basic needs, for food and security and love, are so mixed and mingled and entwined that we cannot straightly think of one without the others. So it happens that when I write of hunger, I am really writing about love and the hunger for it, and warmth and the love of it and the hunger for it ... and then the warmth and richness and fine reality of hunger satisfied ... and it is all one.”
—M.F.K. Fisher (b. 1908)