Observations On The Feeling of The Beautiful and Sublime - Section Two

Section Two

Of the Attributes of the Beautiful and Sublime in Man in General

Kant described the relationship between these finer feelings and humanity. The feelings are not totally separate from each other. Beauty and the sublime can be joined or alternated. Kant claimed that tragedy, for the most part, stirs the feeling of the sublime. Comedy arouses feelings for beauty. The personal appearance of humans prompts these feelings in various cases. A person's social position also affects these feelings.

Human nature has many variations of the feelings of the beautiful and the sublime. Some variations of the terrifying sublime are the adventurous and grotesque. Visionaries and cranks are persons who have fantasies and whims. The beautiful, when it degenerates, produces triflers, fops, dandies, chatterers, silliness, bores, and fools.

Sympathy or compassion and also good-natured agreeableness are not true virtues, according to Kant. True virtue is the quality of raising the feeling of humanity's beauty and dignity to a principle. When a person acts in accordance with this principle, regardless of inclination, that person is truly and sublimely virtuous.

"A profound feeling for the beauty and dignity of human nature and a firmness and determination of the mind to refer all one's actions to this as to a universal ground is earnest, and does not at all join with a changeable gaiety nor with the inconstancy of a frivolous person." With this observation, Kant will attempt to fit the various feelings of the beautiful and sublime, and the resulting moral characters, into Galen's rigid arrangement of the four humours or human temperaments: melancholic, sanguine, choleric, and phlegmatic.

Kant asserted that the human temperaments or dispositions are fixed and separate characters. An individual who has one frame of mind has no feeling or sense for the finer feelings that occur in a person of another temperament.

  • A person who has a constitution that is melancholic will have a predominating feeling for the sublime. That person may possess genuine virtue based on the principle that humanity has beauty and worth.
  • One who has a sanguine nature will mostly have a feeling for the beautiful. This results in an "adoptive" virtue that rests on goodheartedness. This person's compassion and sympathy depend on the impression of the moment.
  • A choleric human will have a feeling for the splendid or showy sublime. As a result, this person will possess an apparent virtue. Kant calls it "a gloss of virtue." This includes a sense of honor and concern for outward appearance.
  • Phlegmatic people have apathy or lack of any finer feeling. They therefore may have an absence of virtue.

As a whole, human nature in general is a combination of these virtues. As such, it is a splendid expression of beauty and dignity.

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