Origin
According to Fr. William Saunders:
| “ | The exact origin of the "O Antiphons" is not known. Boethius (480–524/5) used language which may be a reference to them, thereby suggesting their presence in the sixth century. At the Benedictine Fleury Abbey, these antiphons were recited by the abbot and other abbey leaders in descending rank, and then a gift was given to each member of the community. By the eighth century, they were in use in the liturgical celebrations in Rome. The usage of the "O Antiphons" was so prevalent in monasteries that the phrases "Keep your O" and "The Great O Antiphons" were common parlance. One may thereby conclude that in some fashion the "O Antiphons" have been part of Western liturgical tradition since the very early Church.
The Benedictine monks arranged these antiphons with a definite purpose. If one starts with the last title and takes the first letter of each one—Emmanuel, Rex, Oriens, Clavis, Radix, Adonai, Sapientia—the Latin words ero cras are formed, meaning, "Tomorrow, I will come". Therefore Jesus, whose coming Christians have prepared for in Advent and whom they have addressed in these seven Messianic titles, now speaks to them: "Tomorrow, I will come." So the "O Antiphons" not only bring intensity to their Advent preparation, but bring it to a joyful conclusion. |
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A number of other antiphons were found in various medieval breviaries.
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