North American English regional phonology is the study of variations in the pronunciation of spoken English by the inhabitants of various parts of North America (United States and Canada). North American English can be divided into several regional dialects based on phonological, phonetic, lexical, and some syntactic features. North American English includes American English, which has several highly developed and distinct regional varieties, along with the closely related Canadian English, which is more homogeneous. American English (especially Western dialects) and Canadian English have more in common with each other than with the many varieties of English outside North America.
The most recent work documenting and studying the phonology of North American English dialects as a whole is the Atlas of North American English by William Labov, Sharon Ash, and Charles Boberg, on which much of the description below is based, following on a tradition of sociolinguistics dating to the 1960s; earlier large-scale American dialectology focused more on lexical variation than on phonology.
Read more about North American English Regional Phonology: Defining Regions of North American Speech, General American, The Midland, The North, Northeastern Dialects, Southern American English, Western Dialect, Canadian English
Famous quotes containing the words north, american and/or english:
“The Bostonians are really, as a race, far inferior in point of anything beyond mere intellect to any other set upon the continent of North America. They are decidedly the most servile imitators of the English it is possible to conceive.”
—Edgar Allan Poe (18091845)
“There is a constant in the average American imagination and taste, for which the past must be preserved and celebrated in full-scale authentic copy; a philosophy of immortality as duplication. It dominates the relation with the self, with the past, not infrequently with the present, always with History and, even, with the European tradition.”
—Umberto Eco (b. 1932)
“English audiences of working people are like an instrument that responds to the player. Thought ripples up and down them, and if in some heart the speaker strikes a dissonance there is a swift answer. Always the voice speaks from gallery or pit, the terrible voice which detaches itself in every English crowd, full of caustic wit, full of irony or, maybe, approval.”
—Mary Heaton Vorse (18741966)