Early Life
McLaren was born in Stirling, Scotland and studied set design at the Glasgow School of Art. His early experiments with film and animation included actually scratching and painting the film stock itself, as he did not have ready access to a camera. His earliest extant film, Seven Till Five (1933), a "day in the life of an art school" was influenced by Eisenstein and displays a strongly formalist attitude.
McLaren's next film, Camera Makes Whoopee (1935), was a more elaborate take on the themes explored in Seven Till Five, inspired by his acquisition of a Ciné-Kodak camera, which enabled him to execute a number of 'trick' shots. McLaren used pixilation effects, superimpositions and animation not only to display the staging of an art school ball, but also to tap into the aesthetic sensations supposedly produced by this event.
His two early films won prizes at the Scottish Amateur Film Festival, where fellow Scot and future NFB founder John Grierson was a judge.
Read more about this topic: Norman McLaren
Famous quotes containing the words early and/or life:
“I looked at my daughters, and my boyhood picture, and appreciated the gift of parenthood, at that moment, more than any other gift I have ever been given. For what person, except one’s own children, would want so deeply and sincerely to have shared your childhood? Who else would think your insignificant and petty life so precious in the living, so rich in its expressiveness, that it would be worth partaking of what you were, to understand what you are?”
—Gerald Early (20th century)
“The time comes when each one of us has to give up as illusions the expectations which, in his youth, he pinned upon his fellow- men, and when he may learn how much difficulty and pain has been added to his life by their ill-will.”
—Sigmund Freud (1856–1939)