Norfolk Island - Culture

Culture

While there was no "indigenous" culture on the island at the time of settlement, the Tahitian influence of the Pitcairn settlers has resulted in some aspects of Polynesian culture being adapted to that of Norfolk, including the hula dance. Local cuisine also shows influences from the same region.

Islanders traditionally spend a lot of time outdoors, with fishing and other aquatic pursuits being common pastimes, an aspect which has become more noticeable as the island becomes more accessible to tourism. Most island families have at least one member involved in primary production in some form.

As all the Pitcairn settlers were related to each other, islanders have historically been informal both to each other and to visitors. The most noticeable aspect of this is the "Norfolk Wave", with drivers waving to each other (ranging from a wave using the entire arm through to a raised index finger from the steering wheel) as they pass.

Religious observance remains an important part of life for some islanders, particularly the older generations, but actual attendance is about 8% of the resident population plus some tourists. In the 2006 census 19.9% had no religion compared with 13.2% in 1996. Businesses are closed on Sundays.

One of the island's residents is the novelist Colleen McCullough, whose works include The Thorn Birds and the Masters of Rome series as well as Morgan's Run, set, in large part, on Norfolk Island.

Helen Reddy also moved to the island for a period but was denied a long term entry permit.

American novelist James A. Michener, who served in the United States Navy during World War II, set one of the chapters of his episodic novel Tales of the South Pacific on Norfolk Island.

The island is one of the few locations outside of North America to celebrate the holiday of Thanksgiving.

Read more about this topic:  Norfolk Island

Famous quotes containing the word culture:

    The hard truth is that what may be acceptable in elite culture may not be acceptable in mass culture, that tastes which pose only innocent ethical issues as the property of a minority become corrupting when they become more established. Taste is context, and the context has changed.
    Susan Sontag (b. 1933)

    Everyone in our culture wants to win a prize. Perhaps that is the grand lesson we have taken with us from kindergarten in the age of perversions of Dewey-style education: everyone gets a ribbon, and praise becomes a meaningless narcotic to soothe egoistic distemper.
    Gerald Early (b. 1952)

    The future is built on brains, not prom court, as most people can tell you after attending their high school reunion. But you’d never know it by talking to kids or listening to the messages they get from the culture and even from their schools.
    Anna Quindlen (b. 1953)